Alice Rohrwacher on the Magical Realism of La Chimera | NYFF61

With her customarily bewitching mixture of earthiness and magical realism, Alice Rohrwacher (Happy as Lazzaro, NYFF56) conjures a marvelous entertainment set in a rural Italy eternally caught between the ancient and the modern. Josh O’Connor (The Crown) stars as Arthur, a ne’er-do well Englishman, handsomely rumpled and recently out of prison, who returns to a rural town in central Italy where he hesitantly reconnects with a ragtag group of tombaroli (tomb raiders), for whom he uses his uncanny powers of divination to locate graves that date back to the Etruscan period and teem with antiquities of immense value to collectors and museums. Yet the melancholy Arthur has other ghosts on his mind, including his long-lost love Beniamina, who haunts his memory like her own ghostly civilization. Featuring gorgeous rough-hewn textures from the great cinematographer Hélène Louvart and outstanding supporting work from Isabella Rossellini, Carol Duarte, and Alba Rohrwacher, La Chimera is a dreamlike descent into a majestically tattered world right beneath our own. An NYFF61 Main Slate selection. A NEON release.

[terna]

Adoro Alice, la sua delicatezza, eleganza e geniutà. In ogni intervista racconta qualcosa di nuovo sul suo punto di vista e ogni volta l’adoro ancora di più.

[julianX]

I find it quite curious that when I first watched Happy as Lazzaro I sensed some kind of Garcia Marquez's vibes. Like if it was an apocryphal adaptation to screen of his writing. I'm not saying Alice is trying to adapt him but there's definitely a mood of magical realism around her films.

[yonidevi]

Anche io, le sto guardando tutte! E non riesco a smettere di vedere la chimera, Lazzaro felice e le pupille