Count Basie And His Orchestra 1936-1938 (1990)(Full album)

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Tracklist
00:00 1 Jones-Smith Incorporated– Shoe Shine Boy
Written-By – Cahn, Chaplin
02:59 2 Jones-Smith Incorporated– Evenin'
Written-By – White, Parish
06:56 3 Jones-Smith Incorporated– Boogie Woogie
Written-By – Smith
09:12 4 Jones-Smith Incorporated– Oh! Lady Be Good
Written-By – Gershwin-Gershwin
12:20 5 Count Basie And His Orchestra– Honeysuckle Rose
Written-By – Razaf, Waller
15:19 6 Count Basie And His Orchestra*– Pennies From Heaven
Written-By – Johnston, Burke
18:19 7 Count Basie And His Orchestra– Swingin' At The Daisy Chain
Written-By – Basie
21:08 8 Count Basie And His Orchestra– Roseland Shuffle
Written-By – Basie
23:42 9 Count Basie And His Orchestra– Exactly Like You
Written-By – Fields-McHugh
26:24 10 Count Basie And His Orchestra– Boo-Hoo
Written-By – Heyman, Lombardo, Jacob
28:51 11 Count Basie And His Orchestra– The Glory Of Love
Written-By – Hill
31:23 12 Count Basie And His Orchestra– Boogie Woogie (I May Be Wrong)
Written-By – Smith
34:14 13 Count Basie And His Orchestra– Smarty (You Know It All)
Written-By – Lane, Freed
36:57 14 Count Basie And His Orchestra– One O' Clock Jump
Written-By – Basie
39:58 15 Count Basie And His Orchestra– Listen My Children (And You Shall Hear)
Written-By – Lane, Freed
43:04 16 Count Basie And His Orchestra– John's Idea
Written-By – Basie, Durham
45:59 17 Count Basie And His Orchestra– Good Morning Blues
Written-By – Basie, Durham, Rushing
49:12 18 Count Basie And His Orchestra– Our Love Was Meant To Be
Vocals – Earl Warren
Written-By – Hill, Waller, Davis
51:56 19 Count Basie And His Orchestra– Time Out
Written-By – Durham
54:51 20 Count Basie And His Orchestra– Topsy
Written-By – Durham, Battle
57:57 21 Count Basie And His Orchestra– I Keep Remembering
Written-By – Jones
Written-By [Uncredited] – Charles Newman
01:00:41 22 Count Basie And His Orchestra– Out The Window
Written-By – Durham
01:03:27 23 Count Basie And His Orchestra– Don't You Miss Your Baby
Written-By – Basie
01:06:35 24 Count Basie And His Orchestra– Let Me Dream
Vocals – Earl Warren
Written By – Norman
Written-By – Edwards, Brown
01:09:44 25 Count Basie And His Orchestra– Georgiana
Arranged By – Herschel Evans
Trumpet – Karl George
Written-By – Croos-Johnson, Carle, McKessie

Alto Saxophone – Caughey Roberts (tracks: 5 to 12), Earl Warren (tracks: 13 to 24), Jack Washington (tracks: 5 to 25)
Arranged By – Buster Smith (tracks: 13 to 24), Eddie Durham (tracks: 17 to 25), Jimmy Mundy (tracks: 13 to 24), Skippy Martin* (tracks: 17 to 24)
Baritone Saxophone – Jack Washington (tracks: 5 to 25)
Clarinet – Herschel Evans (tracks: 5 to 25), Lester Young (tracks: 5 to 25)
Double Bass – Walter Page
Drums – Joe Jones
Guitar – Claude Williams (tracks: 5 to 8), Eddie Durham (tracks: 17 to 25), Freddie Green (tracks: 9 to 25)
Liner Notes – Anatol Schenker
Piano – Count Basie
Tenor Saxophone – Lester Young
Trombone – Benny Morton (tracks: 17 to 25), Dan Minor (tracks: 5 to 25), Eddie Durham (tracks: 17 to 25), George Hunt (tracks: 5 to 16)
Trumpet – Bobby Hicks (tracks: 21 to 24), Bobby Moore (tracks: 9 to 20), Buck Clayton, Carl Smith (tracks: 1 to 8), Ed Lewis (tracks: 9 to 25), Joe Keyes (tracks: 5 to 8)
Vocals – Jimmy Rushing (tracks: 2, 3, 6, 9,10, 12, 15, 17, 21, 23, 25)

Label: Classics – CLASSICS 503
Country: Europe
Released: 1990
Genre: Jazz
Style: Swing, Big Band

1936-1938 Review by arwulf arwulf
Bill (Count) Basie first shows up on record at the end of the 1920s, playing piano with Bennie Moten & the Kansas City Orchestra. Legend has it that Basie became a "Count" after Moten teasingly referred to him as "that no-account Basie." Classics No. 503 presents Basie's first recordings as a leader. On October 9th, 1936, a five-piece band cut two instrumental stomps and a pair of blues with vocals by Jimmy Rushing. Since Basie was breaking a contract by recording for the Vocalion label, the band was billed as "Jones-Smith, Inc." The "Jones" was drummer Jo Jones, and the "Smith" was trumpeter Carl Smith, filling in that day for Buck Clayton, who had a split lip. Basie opened up "Shoe Shine Boy" with a bit of his own brand of Harlem stride piano, powerfully supported by Walter Page's bass fiddle. Lester Young, shining like the rising sun, was making his very first appearance on phonograph record. Strong as nails, full of ideas and rhythmic enthusiasm, Young was obviously happy to be cooking in front of the microphone that day. On the 21st of January, 1937 the Count Basie Orchestra became a phonographic reality, utilizing former members of Walter Page's Blue Devils and Bennie Moten's Kansas City Orchestra. Basie honored his Harlem roots by dishing up a smart instrumental treatment of Fats Waller's "Honeysuckle Rose," and a stomp dedicated to Waller's preferred cathouse, the Daisy Chain. "Roseland Shuffle" is remarkable for the extended "conversation" between Lester Young's sax and Basie's piano.

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