ABRSM 2025 & 2026 - Grade 4 Piano Exam - C:3 ~ Canzonetta ~ Raymond Yiu

ABRSM 2025 & 2026 - Grade 4 Piano Exam - C:3 ~ Canzonetta ~ Raymond Yiu

🎹 Sheet music ► Available through ABRSM's own exam book publication
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What I Use to Make Music & Videos!
🎹 Piano: Yamaha Montage 8
📹 Camera: Panasonic Lumix GH5 / Leica 15mm F1.7
🖥️ Software: Reaper DAW / Garritan CFX Concert Grand VSTi / Keyscape / Adobe Suite

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[masterkeyz]

TECHNICAL CONSIDERATIONS
ABRSM’s recommended tempo for this piece is 120 bpm, which is similar to how it’s played in this video, although it lends itself well to use of rubato (looseness of time) and doesn’t need to be practised too metronomically.

One of the most important aspects to consider is tasteful use of the sustain pedal, and although there are no specific pedal markings written until the final two bars, it does state “con Ped.” at the beginning, so it is down to the performer to decide how best to pedal. A good starting point would actually be to learn to play this piece without any pedalling in order to test how good a legato (smooth) touch you have to begin with - for example making sure that all the slurs and phrase marks can be played smoothly without even needing the pedal. My own performance was a little sloppy in this regard and although the end result still sounds as it should, I did rely on my pedal technique a little too much in order to compensate for my lack of legato playing in places. This was probably due to me still effectively sight-reading it for purposes of recording this video. Often we refine pieces over long periods of time and can revisit with increased knowledge and experience, so my hope is that I can pass on my own learning experiences onto you, the viewer, who should then have even better insight into how to approach any of the ABRSM exam repertoire.

Dynamics are challenging due to the singing nature of the melody (marked “cantabile”) and the frequent need for crescendos and diminuendos. Also be very careful to ensure that the accompanying left-hand part does not overpower the delicate melody above. The final two bars have a rit. which could easily be played a little slower than how I performed it, and this would make the ending very effective, along with playing pianissimo (very soft) on those closing bars.

[Qianghe]

reall pretty ur the best pianst i know😊