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Horn Concertos
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Embark on a thrilling musical voyage with our captivating horn concertos video. Immerse yourself in the majestic sound of the horn as talented musicians weave intricate melodies and showcase their virtuosity.
An instrument in evolution, today's French horn bears little resemblance to the horns of the past. Even before it was first used in classical music, the horn was frequently found in religious ceremonies as a useful way of calling people to prayer, and of course played a vital role on the hunting field. Since then, the instrument has undergone vast transformation, the most important being the addition of valves, allowing players access to all notes rather than just the natural ones. Its first recorded usage comes around the end of the 16th century, when Cavalli's opera Le nozze di Teti e di Peleo calls for a 'chiamata alla caccia'. However, it did not appear as a solo concerto instrument until years later; one of the first examples is an anonymous Sonata da caccia, included on this release, with the horn playing hunt-like motives in a concertante relationship alongside strings and continuo.
The Baroque period saw a flurry of composers adding horn concertos to their repertoire, often in a group with other instruments. Telemann wrote several concertos and overtures that feature the horn. His Italian contemporary Vivaldi wrote two concertos for two horns, the second of which features here. Other lesser-known composers are also represented: the horn player Peter Damm has discovered and now champions neglected pieces for the horn repertoire, including concertos by Peter Johann Fick and Christoph Förster, who were both active in the first half of the 18th century. Their German contemporaries include Johann Friedrich Fasch, Johann David Heinichen and Johann Joachim Quantz, all of whom wrote a great quantity of horn music. Jan Dismas Zelenka, a Bohemian composer active in the same period, would later be championed by Smetana. His Caprice in F for two horns includes some playful writing between the two solo instruments.
Tracklist (complete tracklist with the composer and artists can be found in the comment section):
00:00:00 Horn Concerto in D Major, TW V51:D8
00:10:05 Horn Concerto in E-Flat Major
00:24:06 Sonata da caccia in C Major
00:28:26 Horn Concerto No. 1 in D Major, Hob. VIId:3
00:47:21 Horn Concerto in B-Flat Major
00:57:40 Concerto No. 2 in F Major, RV 539
01:06:32 Horn Concerto in E-Flat Major
01:19:00 Concerto concertant in E-Flat Major, Op. 3
01:36:52 Concerto in E-Flat Major
02:02:02 Concertino in E Minor, Op. 45
02:18:34 Konzertstück in E Major
02:31:55 Morceau de concert in F Minor, Op. 94
02:41:11 Konzertstück in F Major, Op. 86
03:00:20 Concerto in E-Flat Major
03:10:26 Caprice in F Major
03:26:12 Concerto for 2 Horns in F Major, S.231
03:32:32 Concerto for 2 Horns in D Major, TWV 52:D2
03:41:01 Concerto in D Major, FaWV L:D18
👉 Social media links:
#Horn #Concerto #BrilliantClassics #Music #Concertos #ClassicalMusic #Baroque #BaroqueMusic #Telemann #Schumann
An instrument in evolution, today's French horn bears little resemblance to the horns of the past. Even before it was first used in classical music, the horn was frequently found in religious ceremonies as a useful way of calling people to prayer, and of course played a vital role on the hunting field. Since then, the instrument has undergone vast transformation, the most important being the addition of valves, allowing players access to all notes rather than just the natural ones. Its first recorded usage comes around the end of the 16th century, when Cavalli's opera Le nozze di Teti e di Peleo calls for a 'chiamata alla caccia'. However, it did not appear as a solo concerto instrument until years later; one of the first examples is an anonymous Sonata da caccia, included on this release, with the horn playing hunt-like motives in a concertante relationship alongside strings and continuo.
The Baroque period saw a flurry of composers adding horn concertos to their repertoire, often in a group with other instruments. Telemann wrote several concertos and overtures that feature the horn. His Italian contemporary Vivaldi wrote two concertos for two horns, the second of which features here. Other lesser-known composers are also represented: the horn player Peter Damm has discovered and now champions neglected pieces for the horn repertoire, including concertos by Peter Johann Fick and Christoph Förster, who were both active in the first half of the 18th century. Their German contemporaries include Johann Friedrich Fasch, Johann David Heinichen and Johann Joachim Quantz, all of whom wrote a great quantity of horn music. Jan Dismas Zelenka, a Bohemian composer active in the same period, would later be championed by Smetana. His Caprice in F for two horns includes some playful writing between the two solo instruments.
Tracklist (complete tracklist with the composer and artists can be found in the comment section):
00:00:00 Horn Concerto in D Major, TW V51:D8
00:10:05 Horn Concerto in E-Flat Major
00:24:06 Sonata da caccia in C Major
00:28:26 Horn Concerto No. 1 in D Major, Hob. VIId:3
00:47:21 Horn Concerto in B-Flat Major
00:57:40 Concerto No. 2 in F Major, RV 539
01:06:32 Horn Concerto in E-Flat Major
01:19:00 Concerto concertant in E-Flat Major, Op. 3
01:36:52 Concerto in E-Flat Major
02:02:02 Concertino in E Minor, Op. 45
02:18:34 Konzertstück in E Major
02:31:55 Morceau de concert in F Minor, Op. 94
02:41:11 Konzertstück in F Major, Op. 86
03:00:20 Concerto in E-Flat Major
03:10:26 Caprice in F Major
03:26:12 Concerto for 2 Horns in F Major, S.231
03:32:32 Concerto for 2 Horns in D Major, TWV 52:D2
03:41:01 Concerto in D Major, FaWV L:D18
👉 Social media links:
#Horn #Concerto #BrilliantClassics #Music #Concertos #ClassicalMusic #Baroque #BaroqueMusic #Telemann #Schumann
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