Jean Sibelius: 6 Impromptus, Op. 5 (Gimse)

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Jean Sibelius (8 December 1865 – 20 September 1957), was a Finnish composer and violinist of the late Romantic and early-modern periods.

00:00 Impromptu No. 1 in G Minor
02:16 Impromptu No. 2 in G Minor
03:56 Impromptu No. 3 in A Minor
06:11 Impromptu No. 4 in E Minor
08:26 Impromptu No. 5 in B Minor
11:31 Impromptu No. 6 in E Major

Performer: Håvard Gimse

Spencer Cha

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no 6 has such a heart-wrenching melancholy to it

elrichardo

00:00 Impromptu No. 1 in G Minor
02:16 Impromptu No. 2 in G Minor
03:56 Impromptu No. 3 in A Minor
06:11 Impromptu No. 4 in E Minor
08:26 Impromptu No. 5 in B Minor
11:31 Impromptu No. 6 in E Major

Thank you for the scrolling. =D

Spyrine

No.1 feels like finally accepting and coming to peace with something terrible that happened to you.

burakunsal

Beautiful music does not need to be complicated!

johnwestlake

No 6, the E Major, is so right for that special moment alone with some illegal substance to smoke.

noriemeha

I just listened to impromptu in b minor for years and now I find out there is a number *4* in E minor too? I love life.

simplicitas

Okay can someone explain why this piece has a 6/4 time signature ?? Like what’s the signification of it in this piece why not just 4/4 it would have made more sense to me idk

ilyas

Thank you for posting this. So helpful.

MrCoruscante

Of course the last two desrve all the praise, but I also really like the flavor of alternating natural and raised sevenths in the first one.

FueganTV

No. 5 is the most beautiful! And No 6. reminds me of Beethoven's Moonlight Sonata!

thebasisti

Well played, nice dynamics! The third is in my taste a bit too fast, a "march on the double", perhaps? I think it would be even more majestic slower, losing the sense of being in a hurry especially in the last section with the arpeggiated chords in the left hand. Number five is a true gem among these otherwise quite rustic pieces, showing suddenly a more virtuoso bubbling, effervescent style.

I won't complain about the last one either, it being remarkably slow, but opening a quite new sensation to the singing melody compared to faster interpretations. The only "complaint" I've got is regarding the fermatas throughout the pieces; I'd like to take the time to hear the silence at those moments!

martinwest

Beautiful, thanks very much for uploading. One thing though, the second chord of bar 27 seems wrongly notated. I'd say it's just another DADF#? Instead of the DAD#F we see here. So the second chord of the penultimate bar before the theme.

LucBoeren

All seem to be connected with one theme?

d.o.

Es como si fuera la banda sonora de "Los cantos de Hyperion"

narvaezrojasalejandro

I do like Gimse's version a lot, although I play it quite faster.

pianocommatheus

Jean Sibelius: 6 Impromptus, Op. 5 (Gimse)

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