FilmConvert Nitrate Walkthrough | Film Emulation

preview_player
Показать описание
Join Nick from FilmConvert in our new three part series, where he will be doing a deep dive into the controls of FilmConvert Nitrate, and showing you how to elevate your grading in 2022. In this video, Nick takes us through the Film Emulation side of Nitrate, and how you can achieve an organic analog film look for your footage.

Рекомендации по теме
Комментарии
Автор

a lot of us would want to see halation and film breath built into the plugin we love so much <3 I love the grain I get out of my film convert.

AlbertKarhuFilms
Автор

This is exactly what I've been wanting to see!!! Thank you so much looking forward to more!!

diazfilms
Автор

Yesterday I downloaded a demo out of curiosity. Loved it so much that I purchased the full version even though I rarely shoot anything theese days. It just made my F-LOG-footage good looking instantly. Love the inclusion of Portra, Superia and Eterna! Would love it even more if you could add CineStill 800T and Kodachrome 😉

Lensuman
Автор

Film convert should add a halation feature in a future update :)

Alphain
Автор

Just purchased it been playing around with it thanks

patrickdizonfilms
Автор

Can I use this for my 3d animated films? What camera options should be used in that case?

amnatariq
Автор

Got some catching up to do. Dehancer supports hdr

theahch
Автор

Looks great - and so I just downloaded the demo version! Now, I'm just learning, and am still an amateur, but I've shot my footage on Cine V, on a panasonic lumix GH5s. There's a camera pack for this, and some modes, such as V log, come up as options for matching footage, as demonstrated in this tutorial. Sadly Cine V isn't one of them. Can anyone tell me what film nitrate option I should pick to work with my Cine V footage? Or is this simply not compatible? Any help is highly appreciated!

NessNayii
Автор

Hello. When will you make the ipad version of this program for the Davinci Resolve?

ip
Автор

Hi, when is shoot with Xperia mobile HlG Venice ., what is a best option ??

listy
Автор

Why does your Nitrate panel look so different from mine? I have more stuff side by side. Fuji 400H is my current fave for a nostalgic look to my snowy nature footage.

bitspacemusic
Автор

Is this available as a stand alone or must it be used as a plug-in?

Arlo-Official
Автор

Love this video and now I just want to jump into my editor and play with FilmConvert. Question: if my picture profile for my camera isn’t available on FilmConvert (because I use a third party profile), what should I do?

mateenmakesfilms
Автор

Hi. Thanks for this. Wanting to match FLog footage to BRaw do you suggest choosing the same emulation but with the 2 different camera profiles or using CineMatch and firstly match one camera to the other and then use, for example, FLog profiles over the converted BRaw shots? Hope you can help me.

lucapellizzaro
Автор

My camera (sony a6400) is not on list. What can I do?

regenytarmovies
Автор

When using cineon you need to apply in a different node a custom print lut and strange enough filmconvert offers none; you can also correct manually, but what you get is something new and not the look of a classical film

petrub
Автор

The Cineon to FPE suggests that FilmConvert outputs Rec709 Gamma 2.4 or something else ?

bastienchilloux
Автор

I noticed there's not available the a6400 sony camera, Is that because you've only downloaded de a6300 and a6500 or? Thanks

vagasbundo
Автор

why didnt you color correct your own footage?

powertools.studio
Автор

I don’t seem to get the same result without a lot of tweaking. When I add the Nitrate plug-in to the first node in Resolve it crushes all the blacks and blows out the highlights. I’ve exposed the slog3 in-camera perfectly 1.7 stops over with a middle grey card so I can’t figure out what is off.

WOMENOFTROY
visit shbcf.ru