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Stanislavski Updated (An Actor's Work) Video 3 ACTION. IF, GIVEN CIRCUMSTANCES
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This longer video is a fast paced in depth analysis of the important Chapter Three of an Actor's Work by Stanislavski is given by me.. Dr Gareth Somers: (Birmingham Conservatoire).
It draws out the key lessons that Stanislavski wants actors to learn and offers you exercises you can do in your daily life.
THERE WILL BE A SHORTER PRACTICE VERSION SOON ! STAY TUNED!
This talk refers to Benedetti's translation of An Actor's Work: this is the Third video in my series on the Stanislavsky System. It is fast paced because there was so much to convey. It is important to keep the three elements together in one video to reinforce the inter-connectedness of ACTION, MAGIC IF and GIVEN CIRCUMSTANCES.
THANK YOU you for going on the ride! It is designed for you to watch and re watch to pick up new nuances and tips each time.
These are informally made and I will continue this series as time and resources permit. I hope eventually to cover the whole book.
focusing on general issues that will effect your engagement with the craft.
Please share and please ask for clarifications.
It draws out the key lessons that Stanislavski wants actors to learn and offers you exercises you can do in your daily life.
THERE WILL BE A SHORTER PRACTICE VERSION SOON ! STAY TUNED!
This talk refers to Benedetti's translation of An Actor's Work: this is the Third video in my series on the Stanislavsky System. It is fast paced because there was so much to convey. It is important to keep the three elements together in one video to reinforce the inter-connectedness of ACTION, MAGIC IF and GIVEN CIRCUMSTANCES.
THANK YOU you for going on the ride! It is designed for you to watch and re watch to pick up new nuances and tips each time.
These are informally made and I will continue this series as time and resources permit. I hope eventually to cover the whole book.
focusing on general issues that will effect your engagement with the craft.
Please share and please ask for clarifications.
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