björk : ylimaf/family [VR] (tour visual) [reversed backwards]

here are some photos from the press conference where i appeared via live stream motion capture avatar from iceland ( thousand miles away ! )
we have 4 [VR] videos ready and will be adding one in each city we go to , hopefully completing the album this year choosing various warehouses and galleries that exhibit work from all disciplines . i am very happy with being the pop musician i am and feel [VR] is a natural continuity of the pop video .
technology is enabling women to work outside the already formed hierarchical systems . the laptop arriving 1999 gave me a personal studio to make 'vespertine' , the touchscreen 2006 helped me map my own idiosyncratic musicology outside the classical canon and reconnect it with nature and make 'biophilia', [VR] is helping making a new stage free of politics where sound and vision is swirling free in 360º fully liberated . i found 'vulnicura' a helpful material to work in [VR] because of its old fashioned heartbreak saga , the narration in it is the most stubborn of my albums so i felt it could take on the experimentation of where [VR] is now . benefitted from 2016-ing it . and because of 'vulnicura's' one singular selfpitying voice to work with many directors gave it more point of views .
i appreciate that your curiousity is still there after all these years
dont take it for granted
and thank my couragous team
warmth

[bjorkreversedbackwards]

here are some photos from the press conference where i appeared via live stream motion capture avatar from iceland ( thousand miles away ! )
we have 4 [VR] videos ready and will be adding one in each city we go to, hopefully completing the album this year choosing various warehouses and galleries that exhibit work from all disciplines . i am very happy with being the pop musician i am and feel [VR] is a natural continuity of the pop video .
technology is enabling women to work outside the already formed hierarchical systems . the laptop arriving 1999 gave me a personal studio to make 'vespertine', the touchscreen 2006 helped me map my own idiosyncratic musicology outside the classical canon and reconnect it with nature and make 'biophilia', [VR] is helping making a new stage free of politics where sound and vision is swirling free in 360º fully liberated . i found 'vulnicura' a helpful material to work in [VR] because of its old fashioned heartbreak saga, the narration in it is the most stubborn of my albums so i felt it could take on the experimentation of where [VR] is now . benefitted from 2016-ing it . and because of 'vulnicura's' one singular selfpitying voice to work with many directors gave it more point of views .
i appreciate that your curiousity is still there after all these years
dont take it for granted
and thank my couragous team
warmth