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Jazz Lick 34 'Odd Triplet Grouping' #Shorts
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#Shorts
Another killer phrase from Max Ionata🎷. Link to original video below↓
Back when I played the sax (quit due to injuries of neck+back), I was literally obsessed with this phrase. Day after day, hour after hour, I just shred on this phrase. (Sry neighbors) End result? At least I practiced it enough that I can fairly sing it😊🎙(I think) Btw, I used triplets for the convenience of notating, but there actually might be quintuplets and more involved. Or it just might be a combination of laying back and topping.
サックス吹いてた頃(首腰痛めてやめました😭)取り憑かれたように毎日毎日このフレーズ練習してました。吹けるようになったか?ははは、歌えるようになりましたよ🎙 採譜が楽なのでトリプレット表記にしてますが5連符その他の方が正確かもしれません。レイドバックと突っ込み気味の組み合わせで揺らしてるのかもしれませんが…。
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About me
Tak Iwasaki, residing in New York, is a singer, a profound improvisor, and a certified voice teacher from Somatic VoiceWork(TM)The LoVetri Method.
He was one of the 3 finalists of the MCG Jazz Vocal Competition-The Gentlemen Sing (2013) in Pittsburgh. Also being one of the winners of the JFA Jazz Vocal Competitions(2013) in New York.
Tak has always been close with music.
Born in New York, Tak's first instrument he was given, was the violin at the age of 4. In 1983 he played in the Rising-all-stars Orchestra of Nassau County.
Moving back to Japan in 94', he picked up many instruments, starting with the guitar, and onto drums, piano and saxophone. His musical desires to sing, starts at the age of 21. His first passion led him mainly towards Soul, R&B and Gospel, but then a year later, he met "JAZZ". Struck by the freedom and extreme energy in jazz, Tak was immediately charmed by it. He dug much of the bebop era musicians, which had tremendous impact on his current vocal style. His vocal style is most influenced by these instrumentalist, such as Sonny Rollins, Oscar Peterson, Clifford Brown, Dizzy Gillespie, Chet Baker, Miles Davis, Red Garland, Stan Getz, Freddie Hubbard, and so much more on to modern day jazz players.
Another killer phrase from Max Ionata🎷. Link to original video below↓
Back when I played the sax (quit due to injuries of neck+back), I was literally obsessed with this phrase. Day after day, hour after hour, I just shred on this phrase. (Sry neighbors) End result? At least I practiced it enough that I can fairly sing it😊🎙(I think) Btw, I used triplets for the convenience of notating, but there actually might be quintuplets and more involved. Or it just might be a combination of laying back and topping.
サックス吹いてた頃(首腰痛めてやめました😭)取り憑かれたように毎日毎日このフレーズ練習してました。吹けるようになったか?ははは、歌えるようになりましたよ🎙 採譜が楽なのでトリプレット表記にしてますが5連符その他の方が正確かもしれません。レイドバックと突っ込み気味の組み合わせで揺らしてるのかもしれませんが…。
Please subscribe if you find value in the content!
About me
Tak Iwasaki, residing in New York, is a singer, a profound improvisor, and a certified voice teacher from Somatic VoiceWork(TM)The LoVetri Method.
He was one of the 3 finalists of the MCG Jazz Vocal Competition-The Gentlemen Sing (2013) in Pittsburgh. Also being one of the winners of the JFA Jazz Vocal Competitions(2013) in New York.
Tak has always been close with music.
Born in New York, Tak's first instrument he was given, was the violin at the age of 4. In 1983 he played in the Rising-all-stars Orchestra of Nassau County.
Moving back to Japan in 94', he picked up many instruments, starting with the guitar, and onto drums, piano and saxophone. His musical desires to sing, starts at the age of 21. His first passion led him mainly towards Soul, R&B and Gospel, but then a year later, he met "JAZZ". Struck by the freedom and extreme energy in jazz, Tak was immediately charmed by it. He dug much of the bebop era musicians, which had tremendous impact on his current vocal style. His vocal style is most influenced by these instrumentalist, such as Sonny Rollins, Oscar Peterson, Clifford Brown, Dizzy Gillespie, Chet Baker, Miles Davis, Red Garland, Stan Getz, Freddie Hubbard, and so much more on to modern day jazz players.