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AI plays with BBC Philharmonic Orchestra for the first time
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An AI has performed with the BBC’s orchestra Orchestra for the first time. In Robert Laidlow’s new composition, Silicon, different AI algorithms were used to help create each of the three movements of the piece, which the orchestra performed at The Bridgewater Hall in Manchester, UK on 29 October 2022. “We're so entangled with intelligent technology that I wanted to tackle this subject in my music,” says Laidlow, whose PhD explores this topic.
In Silicon’s first movement, Laidlow used an AI called Musnet to generate sheet music. For the second part he contacted Google Magenta, an AI team based in San Francisco whose DDSP-VST system he used to transform notes into different orchestral sounds. “It doesn't always work perfectly, says Laidlow, creating all these “weird bow-like sounds”. For the final part an AI called PRiSM SampleRNN was trained using 20 years of BBC Philharmonic performances to generate raw audio. Whilst this algorithm did produce “wonderful orchestral sounds”, says Laidlow, it also unexpectedly replicated the presenter and audience sounds. It started “morphing into applause almost like it was clapping itself,” he says.
The project aims to explore ways to incorporate technology into the creative process. “I have no interest in just showing off technology for the sake of it,” Laidlow says, “but anything that pushes us to think in a different way is really genuinely valuable”.
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About New Scientist:
New Scientist was founded in 1956 for “all those interested in scientific discovery and its social consequences”. Today our website, videos, newsletters, app, podcast and print magazine cover the world’s most important, exciting and entertaining science news as well as asking the big-picture questions about life, the universe, and what it means to be human.
New Scientist
In Silicon’s first movement, Laidlow used an AI called Musnet to generate sheet music. For the second part he contacted Google Magenta, an AI team based in San Francisco whose DDSP-VST system he used to transform notes into different orchestral sounds. “It doesn't always work perfectly, says Laidlow, creating all these “weird bow-like sounds”. For the final part an AI called PRiSM SampleRNN was trained using 20 years of BBC Philharmonic performances to generate raw audio. Whilst this algorithm did produce “wonderful orchestral sounds”, says Laidlow, it also unexpectedly replicated the presenter and audience sounds. It started “morphing into applause almost like it was clapping itself,” he says.
The project aims to explore ways to incorporate technology into the creative process. “I have no interest in just showing off technology for the sake of it,” Laidlow says, “but anything that pushes us to think in a different way is really genuinely valuable”.
–
Get more from New Scientist:
About New Scientist:
New Scientist was founded in 1956 for “all those interested in scientific discovery and its social consequences”. Today our website, videos, newsletters, app, podcast and print magazine cover the world’s most important, exciting and entertaining science news as well as asking the big-picture questions about life, the universe, and what it means to be human.
New Scientist
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