Все публикации

Bhavishyavani Future Soundz on the Birth of Mumbai's Club Scene | Red Bull Music Academy

Peder Mannerfelt on Production, DJing and Club Culture | Red Bull Music Academy

Visual Arts and Music With Goldie, Front 242 and more | Red Bull Music Academy

Playing With... The Yamaha CS-80 | Red Bull Music Academy

Kampire's Guide to Kampala Nightlife | Red Bull Music Academy

Discover the Joys of Collaboration with Moor Mother, Mike WiLL Made-It, Jlin and More

Playing With… TONTO, the World’s Largest Synthesizer | Red Bull Music Academy

Explore DJing with Frankie Knuckles, Black Madonna, and Objekt | Red Bull Music Academy

Robert Hood on The Making of Minimal Nation | Red Bull Music Academy

Jimmy Jam on The Genesis of Janet Jackson’s Control Album | Red Bull Music Academy

Yoshimi0 on Boredoms, OOIOO and Collaboration | Red Bull Music Academy

'Sound System Culture' with Kode9, Equiknoxx, Alex Rosner and More | Red Bull Music Academy

'Make The Most of Your Creativity' With Moor Mother, Debbie Harry and More | Red Bull Music Academy

Q-Tip and DJ Premier on The Making of Nas’ Illmatic | Red Bull Music Academy

How Don Buchla Pioneered Synthesizers | Red Bull Music Academy

Why Music Needs Boundary Breakers With Goldie, Jlin, and Keiji Haino | Red Bull Music Academy

FM Einheit on Live Performance | Red Bull Music Academy

Yuzo Koshiro and Motohiro Kawashima on The Streets of Rage OST | Red Bull Music Academy

Scott Storch on The Making of The Roots’ “You Got Me” | Red Bull Music Academy

Larry Gold on Recording Brandy & Monica’s “The Boy Is Mine” | Red Bull Music Academy

How Boi-1da Used Dancehall For Rihanna’s “Work” and Drake’s “Controlla” | Red Bull Music Academy

TOKiMONSTA on Working With Anderson .Paak | Red Bull Music Academy

Robyn on 'Dancing On My Own' and The Magic of Songwriting | Red Bull Music Academy

How the TB-303 Changed Music with Rob Hood, Richie Hawtin & Martyn Ware | Red Bull Music Academy