Все публикации

0:20:28

Simon Poole: How do different Doom subgenre terms operate for fans, artists, media and labels

0:22:18

Dominic Williams: The Auschwitz Sonderkommando in Extreme Metal and Superhero Comics

0:20:50

Amanda Barnett: Heavy Metal Music and the Student Experience

0:28:50

Niall Coghlan: Hit Hardware: classic gear and the music producer

0:28:55

Andreas Rauh Ortega: ‘Hear the world’s sounds’ - grassroots musicians’ dilemmas in SoundCloud

0:26:49

Tuomas Auvinen: Producer as Creative Agent: Studio Production, Technology and Cultural Space

0:27:19

Austin Moore: An Investigation into the Sonic Signature of the Teletronix LA2A Compressor

0:31:13

Jeffrey Van Sluijs et al. Neo-Tribalism and Ritualism at EDM Events

0:28:11

Antti-Ville Kärjä: Music and the Subcultural Sacred

0:34:08

Owen Coggins: Mysticism and the Mediation of Violence through Noise in Dub, Trance and Drone Metal

0:27:02

Chris Christodoulou: Bring the Break-Beat Back!

0:32:56

Mike Hajimichael: Media Representations: Identity and George Michael’s Death - From Love to Hate

0:35:03

Mark Duffett: Cowboys and Humanists: Contextualizing Gene Autry’s Cowboy Code

0:19:12

Tom Attah: Stories We Could Tell: Putting Words to American Popular Music

0:34:22

Jo Collinson Scott et al. Distant Voices: Coming Home. Issues around Songwriting as Research

0:21:53

Lucy Cathcart Frödén: ‘A language we all understand’?

0:28:04

Martin Quinn: The use of keyboard technology in progressive rock between 1968 and 1980

0:32:43

Jim Mason: Can Common 1980s Harmonic Techniques Successfully Target Today’s UK Singles Chart?

0:29:31

J Mark Percival: When slow is good: slowcore, space and power

0:29:11

Gittit Pearlmutter & Simon Zagorski-Thomas: The Ecological Approach To Analysis

0:20:09

Richard Elliott: Songs as Systems: Objects, Ecologies, Weather, Viruses

0:19:08

Ross Cole: Popular Song and the Poetics of Experience

0:27:40

Sofia Vieira Lopes: Being Portuguese and European at a same time

0:30:40

Karl Spracklen: All Men Must Die