Все публикации

0:34:40

Composing a four-part motet from scratch!

0:20:05

Seven misconceptions about nuns and music (1500-1700)

0:21:02

Score analysis #5 - William Byrd / Hugh Ashton's ground [Tregian’s ground]

0:28:03

The Magic Table That Lets You Compose Canons Over A Cantus Firmus (1596)

0:28:53

Period composition (and the truth about Albinoni’s adagio)

0:21:13

Why do we need scholarly editions of music?

0:19:40

A Christmas special: Gaudete! And what happened to it in the 20th century

0:27:13

Why bad performances are bad (according to someone in 1594) / Bottrigari: Il Desiderio

0:25:15

Conducting in the 16th-18th centuries

0:21:44

Dario Castello: Sonata Prima! (1629)

0:20:38

The fascinating counterpoint of Lamentation letters

0:12:53

Penna: The Fundaments of Playing Upon a Part (1672) [PIE vol. 5]

0:22:04

Tutorial: intabulating vocal music into keyboard notation

0:23:54

The Castrati: A dark corner in music history

0:21:37

The tragically short career of Monteverdi’s star soprano Caterina Martinelli

0:18:14

Orfeo, Hindemith and the Early Music Revival

0:20:44

Cantare super librum

0:20:58

How we realized Monteverdi’s O quam pulchra es

0:01:31

Early Music Sources special opening themes: 2015-2022

0:22:12

The Neapolitan Chord

0:25:04

Bach’s choir: Size matters??

0:11:19

How to lose your music teaching job in one year: the trial of Pietro Pontio 1566

0:16:24

Score analysis #4 - Jan Pieterszoon Sweelinck / Mein junges Leben hat ein End

0:23:31

Joachim Burmeister and his musical-rhetorical figures