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0:08:06
Why The Sound of Music Still Looks Like a Billion Bucks
0:08:16
Why The Matrix Still Looks Like a Billion Bucks
0:09:29
Why Rear Window Was Shot from Exactly One Position
0:07:56
Why Alien Outshines Every Other Film in the Franchise
0:08:16
Why Lawrence of Arabia Still Looks Like a Billion Bucks
0:09:26
Why Every Film Looks Better in Black and White
0:09:17
Why Steven Spielberg Avoids a Wide Open Aperture
0:08:20
Why Edward Yang's Yi Yi Looks Like a Million Bucks
0:07:26
Why John Wick 4 Looks Like That
0:12:56
SCG StediFast HD Tripod Review
0:20:33
Ultimate Tripod Showdown: Low-budget Filmmakers Must Watch This
0:07:20
Why Films have Twice the Low Angle Shots over High Angle Shots
0:06:21
Why this Movie used a Four-Color Color Theory
0:08:07
Davinci Resolve: Did It Break My Feature Film?
0:07:23
Do your Eyes only see 10 Stops of Light? Maybe Not.
0:14:50
Is the Resolution of the Eye better than 4K or 8K?
0:10:31
Why aren't Cheap Cameras Used for Big Films?
0:09:56
5 Most Powerful Elements of Cinematography
0:07:39
Why Denis Villeneuve can't stop using Close ups
0:12:41
Every Cinema Lens Explained in 12 Minutes
0:12:21
Focal Lengths and Lenses used by Great Directors
0:13:55
The Insane Color Harmony in this Depressing Film
0:11:44
How David Fincher tricked us with Color in Se7en
0:36:14
How these First Four Scenes Grip you like a Vice
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