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Sound & Picture Mastering for Film Festivals
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Join filmmaker and post-production supervisor Tom Strnad as he explains and explores the best practices for sound and picture mastering. Learn about mastering sound files in WAV formats, video mastering using ProRes HQ 422 and how to create a DCP, Digital Cinema Package for theatrical and film festival screenings. Other topics include legal colour levels, loudness levels for sound and optimizing your media for a video master.