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Cristóbal de Morales - Réquiem a 5(with score)

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Cristóbal de Morales - Missa pro Defunctis a 5. Complete with Score.
Jordi Savall - Hisperion XX & Capeia Real de Catalunya.
This requiem for 5 voices mixed (STTBarB), has been performed at the funeral of Phillip II of Spain (1527 - 1598), who died in 1598. The Requiem is probably written for the funeral of his father Charles V (1500 - 1558) or his mother Isabel of Portugal (1503 - 1539). It contains:
01. - Introitus: Réquiem aeterna 00:00
02.- Kyrie 06:06
03.- Graduale: Réquiem aeterna 12:00
04.- Sequentia: Dies Irae 19:19 & Pie Jesu 27:00
05.- Offertorium 28:40
06.- Sanctus 37:02
07.- Benedictus - 38:51
08.- Agnus Dei 40:02
09.- Communio: Lux Aeterna 42:40
De Morales combines and alternates the counterpoint - in using different voice-setting - with delicates homophonic sonorities. In the Offertorium and in the last part Communio we see the high counterpoint skills by De Morales used in and with a strong involvement of all voices both ending with a superb closure. The Introit consists out of 86, Kyrie 65, Graduale 127, Sequentia 32, Offertorium 196, Sanctus 48, Benedictus 25, Agnus Dei 50 and Communio 49 bars.
This Missa pro Defunctis was published in Christophori Moralis Hispaniensis Missarum Liber secundus in Roma, primera parte, 1544, Valerio & Ludovico Dorico and reprinted in 1551 by Jacobum Modernum, Lyon.
Jordi Savall - Hisperion XX & Capeia Real de Catalunya.
This requiem for 5 voices mixed (STTBarB), has been performed at the funeral of Phillip II of Spain (1527 - 1598), who died in 1598. The Requiem is probably written for the funeral of his father Charles V (1500 - 1558) or his mother Isabel of Portugal (1503 - 1539). It contains:
01. - Introitus: Réquiem aeterna 00:00
02.- Kyrie 06:06
03.- Graduale: Réquiem aeterna 12:00
04.- Sequentia: Dies Irae 19:19 & Pie Jesu 27:00
05.- Offertorium 28:40
06.- Sanctus 37:02
07.- Benedictus - 38:51
08.- Agnus Dei 40:02
09.- Communio: Lux Aeterna 42:40
De Morales combines and alternates the counterpoint - in using different voice-setting - with delicates homophonic sonorities. In the Offertorium and in the last part Communio we see the high counterpoint skills by De Morales used in and with a strong involvement of all voices both ending with a superb closure. The Introit consists out of 86, Kyrie 65, Graduale 127, Sequentia 32, Offertorium 196, Sanctus 48, Benedictus 25, Agnus Dei 50 and Communio 49 bars.
This Missa pro Defunctis was published in Christophori Moralis Hispaniensis Missarum Liber secundus in Roma, primera parte, 1544, Valerio & Ludovico Dorico and reprinted in 1551 by Jacobum Modernum, Lyon.
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