Seymour Bernstein: MOZART, Rondo in A minor, K. 511

preview_player
Показать описание

  1. Seymour Bernstein
  2. Seymour Bernstein
  3. Mozart Rondo
  4. A minor
  5. K 511
Рекомендации по теме
Seymour Bernstein: MOZART, 0:16:36

Seymour Bernstein: MOZART, Rondo in A minor, K. 511

Seymour Bernstein Plays 0:04:19

Seymour Bernstein Plays Mozart's First Composition (Written At Age 4)

Seymour Bernstein: Mozart's 0:03:08

Seymour Bernstein: Mozart's immortal Ave Verum

Seymour Bernstein: Mozart, 0:11:20

Seymour Bernstein: Mozart, Adagio in B minor, K. 540

I asked 6 0:10:59

I asked 6 pianists what they think of Glenn Gould (ft. Ax, Fleisher, Bernstein, et al)

Beethoven's 'Für Elise' 0:06:11

Beethoven's 'Für Elise' Performed By Seymour Bernstein

'He emphasized things 0:03:00

'He emphasized things other people didn't hear' – Emanuel Ax on Vladimir Horowitz

Horowitz in tears!!! 0:02:33

Horowitz in tears!!! (live video)

Franz Liszt refuses 0:00:16

Franz Liszt refuses to give a lecture to a poor performing student - paganini etude 6

Seymour Bernstein's phrasing, 0:03:30

Seymour Bernstein's phrasing, articulation and fingering for Mozart Allegretto, K.545-M 68-73

Rebecca Penneys competed 0:02:52

Rebecca Penneys competed against Martha Argerich in the 1965 Chopin Competition

Mozart does SO 0:00:59

Mozart does SO MUCH in just a few bars 🤯 (ft. Orli Shaham) #shorts

Glenn Gould chooses 0:04:06

Glenn Gould chooses a piano at Steinway & Sons (New-York, 1959)

Glenn Gould's Mozart: 0:13:35

Glenn Gould's Mozart: A Travesty?

Seymour Bernstein: Chopin 0:22:14

Seymour Bernstein: Chopin & Pedagogy (Interview)

Glenn Gould and 0:14:14

Glenn Gould and Leonard Bernstein: Bach's Keyboard Concerto No. 1 (I) in D minor (BWV 1052)

SEYMOUR BERNSTEIN: 'Moonlight 0:07:08

SEYMOUR BERNSTEIN: 'Moonlight Sonata', 1st movement

WHAT?! 'Classical Music 0:00:59

WHAT?! 'Classical Music Is RACIST'

Seymour Bernstein, Mimicry 0:00:19

Seymour Bernstein, Mimicry

Seymour Bernstein: BACH-KEMPFF 0:03:28

Seymour Bernstein: BACH-KEMPFF 'Siciliano'

This is Seymour 0:36:47

This is Seymour Bernstein's 96th New Year. He has some advice for the piano world.

Beethoven's ears #shorts 0:00:42

Beethoven's ears #shorts

My conductor’s an 0:00:06

My conductor’s an IDIOT!!! 🙄 #mozart #classicalmusic #singerproblems #shortsviral

Seymour Bernstein performs 0:11:16

Seymour Bernstein performs at All Souls Church.

Комментарии
Автор

The dynamic markings in this score are so perplexing to me as I practice it myself! So many drastic changes of sentiment and character. One of my teachers said of K540 that it is a piece he feels he could 'live inside forever'. I understand that - and for me it is K 511...you have opened a new door for me to look upon this most wonderful of musical creations.

justinrubin
Автор

thanks Seymour. beautiful... playing con anima.. soul.

GlenAlbert
Автор

Thank you, Seymour. A beautiful performance of one of my absolute favorite pieces of music. I also appreciate your commentary at the beginning.

CalebCarman
Автор

Amazing how Mozart turns pain into beauty, and your playing captures every nuance of that. Thank you so much for sharing.

birgitnj
Автор

Gorgeous, soulful playing! Thanks for sharing!

ShirleyKirsten
Автор

Beauty, deep & lonely. Cosmic. ❤❤

cesarvalladolid
Автор

ive listen to all of mozarts pieces and this by far my favorite

Eqnzo
Автор

Beautiful. But I don't believe Mozart was as perplexed as you. His Catholic faith always seems present in all his works though he sifts through all the doubts and extremes of being that plague us all. Nonetheless his confidence shines and he always leaves redemption available. Thank you for playing the piece right. I pray your influence and students reign. We have lost our beloved masters.

joeruf
Автор

Mozart’s chromaticism here is remarkable.

syourke
Автор

I'm late to the party. Seymour Bernstein - what a guy. I'm working my way thru his contributions on UTube. He is adorable. His truth telling is refreshing and honourable

sandrahohnen
Автор

I don't understand. The piece has a tempo marking of Andante. The Andante is clearly visible in the manuscript- which we all know is a sort of "walking/ambling tempo". It is also in 6/8 which obviously in some places can be felt in 2. Your playing is almost an Adagio/Adagietto? and rarely even approaches anything like an Andante. Your sound/tone is very beautiful but any reason behind your really very slow choice of tempo? Hmm..

galantxxx