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The Rite of Spring: A Failure and A Triumph

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Focussing on The Rite of Spring, this lecture traces the musical, visual and choreographical consequences of a new modernist aesthetic in ballet.
A lecture by Marina Frolova-Walker, Gresham Professor of Music
21 January 2020 6:00pm UK Time
The Rite of Spring was the startling result of a collaboration between Stravinsky, Nijinsky (choreography) and Roerich (sets and costumes). In the immediate aftermath, it seemed to be a fiasco because of its riotous reception, but it proved to be the successful introduction of a new modernist aesthetic that cultivated ugliness and machine-like movements. We will trace the musical, visual and choreographical consequences of this new trend through several later Diaghilev ballets: Parade (Satie/Picasso), Chout (Prokofiev/Larionov), Le Pas d’Acier (Prokofiev/Yakulov).
A lecture by Marina Frolova-Walker, Gresham Professor of Music
21 January 2020 6:00pm UK Time
The Rite of Spring was the startling result of a collaboration between Stravinsky, Nijinsky (choreography) and Roerich (sets and costumes). In the immediate aftermath, it seemed to be a fiasco because of its riotous reception, but it proved to be the successful introduction of a new modernist aesthetic that cultivated ugliness and machine-like movements. We will trace the musical, visual and choreographical consequences of this new trend through several later Diaghilev ballets: Parade (Satie/Picasso), Chout (Prokofiev/Larionov), Le Pas d’Acier (Prokofiev/Yakulov).
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