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Beethoven: Sonatina in G Major Anh. 5 Nr. 1
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Ludwig van Beethoven
Sonatina in G Major Anh. 5 Nr. 1
When talking about Beethoven, the revolutionary character of his music, opening the door for the romanticism, is most often the center of the talk. But we tend to forget that Beethoven was also a man of his time, and composed in what was then fashionable i.e. the galant style. Emotions are contained, structural symetry is a must, complexity (for instance heavy counterpoint) should be avoided. The sonatina in G Major attributed to Beethoven is composed in that style.
Tempo choices are made after the notation and early 19th century Metronome Marks read in Whole Beat.
Sonatina in G Major Anh. 5 Nr. 1
When talking about Beethoven, the revolutionary character of his music, opening the door for the romanticism, is most often the center of the talk. But we tend to forget that Beethoven was also a man of his time, and composed in what was then fashionable i.e. the galant style. Emotions are contained, structural symetry is a must, complexity (for instance heavy counterpoint) should be avoided. The sonatina in G Major attributed to Beethoven is composed in that style.
Tempo choices are made after the notation and early 19th century Metronome Marks read in Whole Beat.
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