The Producers (2005) Official Trailer - Nathan Lane, Matthew Broderick Movie HD

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The Producers (2005) Official Trailer - Nathan Lane, Matthew Broderick Movie HD

After putting together another Broadway flop, down-on-his-luck producer Max Bialystock teams up with timid accountant Leo Bloom in a get-rich-quick scheme to put on the world's worst show

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Simba and Timon doing a broadway musical together called Springtime for Hitler on broadway starring Lumier, A Pulp fiction character and Megamind

jacobgarrity
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You know it's an underrated classic when the voice actors of Timon and Simba are in this film (and the musical, too)

HeckmanFT
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“From the twisted mind of Mel Broke’s.”
I think twisted might be an understatement.

JacksonMerril
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I watched the remake first before the OG. And I have to say as a big fan of musicals, this version is so underrated. Who can beat Nathan Lane and Matthew Broderick?

manuelorozco
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“Stand still, how can I shoot you if you keep moving!” 😂
*Will Ferrell was hilarious in this role!*

lukacunningham
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I got that on DVD. I even know this entire play and movie by heart.

jasminnemcdonaldA
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Simba and Timon are back for a show but not Pumbaa, i love this idea, i loved Mathew Broderick and Nathan Lane when he played Simba and Timon . I loved Matthew Broderick in Godzilla with Jean Reno ( Mufasa in French Version ) !!!! Fan of the lion King forever, Roar !!!!

l.queenmovie
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Shame they don't make movies like this anymore.

davidhodges
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Simba and Timon putting together a musical that will be a flop instead of a hit. Megamind portraying as a German solider and Lumiere and Mia Wallace dancing and singing on Broadway

jacobgarrity
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ya got Nathan Lane ya got Matthew Broderick damn all that's missing is Ernie Sabella

MrGabeanator
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Everytime I've seen the Producers, it's done something new and interesting while still being the funniest thing I've ever watched! I saw the musical version live in Manchester with whole new songs and new parts to the story that could only be done in a 2 and a half our long musical. It was perfect! The Producers seems to be one of those things that there isn't an overall "Best" version because they all do different things. Would love to also see a Blazing Saddles musical!

elektra
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I've seen this like 1, 000 times since I was 14, and it took me until I was 31 to get the "standing ovation" joke XD

fernandotorrealba
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Hooray! Stand and cheer! What a perfect day to be in fine fettle and to be all out in a flamboyant state of euphoria and hysteria! Say good-bye to your woe and gloom! There, there. Just be alive and kicking! Say hello to this Certified Public Ace-high or C.P.A. piece and cash in on it so as to gaily mount and to fatly amount yourself "Max"-imally in glow and "Bloom". For it's time to be readily rolling into the aisles and to be steadily falling in with a mother lode of fun-packed, frill-backed thrills by kicking up one's heels in this 2005 nuttily-fancified farcical and nattily-transmogrified musical rendition of the 1967 Mr Mel Brooks' satiric masterpiece "The Producers" which is in the same way prudently-honed and splendently-shone up to its gayest-and-okeyest best parts decently-jibed with the present-time viewers' great delight and refined taste - and that is to say having simply an au-courant vibrant mood and an openly uncritical, un-elliptical insight. For everything that you have ever wanted in an illustriously and deliriously hilarious remade-classic - that was intricately and delicately helmed by Ms Susan Stroman - is set to come your way and is just waiting to be luxuriantly-explored and invariantly-adored and thereupon needs not be defiantly-ignored. There's nothing like this quite insanely-funny and puissantly-sunny "never-a-dull-moment" frolic-flick that is exquisitely-garlanded and requisitely-foregrounded with the rosy and glossy froufrous such as the unhindered-designed musical numbers staged in prettily-and-shinily Broadway-stylized look as if marking and harking back to the Golden Period of Hollywood as opulently exemplified in the Leo Bloom's daydreaming / fantasy Broadway sequence "I Wanna Be a Producer" that is jazzed up with a motley razzmatazz of the shapely, long-limbed, and voguish chorus line in high heels wearing Mr William Ivey Long's gingerly-crafted pearl-and-rhinestone-sheathed flesh-color unitards and headcaps; of the coyish, boyish-looking Mr Matthew Broderick's slickly cavorting and sporting a top hat and a cane in the tradition of one of Hollywood's all-time most iconic-and-bionic figures / the indefatigable master hoofer Mr Fred Astaire ( who's uniquely conferred with personal appeal, staying power, inherent artistry, novelty act, and nonpareil work ethic ); of the all-male bit-players' tongue-in-cheek parodying of exploited, dejected accounts-clerks with the special appearance of Mr Jon Lovitz ( his hitting-the-spot "dinky-yet-key" side-splitting role portraying of a hubristic, hairy-at-the-heel head-honcho ); and of the all-the-way dynamic creative behind-the-scene crews' impartially-balanced symbiosis so as to conclusively come up with tone-brightening, technical aspects-refining, and grand nostalgia-defining moment that is so graciously and sagaciously amped up with its neatly-and-discreetly set up eye-pleasing backdrops / lighting designs; its racily-and-fancily coined step-designs; its truly jubilantly-and-scintillantly inspired song-piece of sharp-cut Broadway standard; its rather wontedly yet sure-handedly-intended "sublime" scene-capturing; and its well dolled-up power to activate and to captivate its pleasure-tracking, dream-tacking viewers' senses in an uprightly humorous and glamorous way. Indeed, there could never ever be another one like this gem that is simply exuding in peachy-keen field-day allure and is amply parading the choicely stars of distinct high calibers who had in all respects nailed their roles with crowning stroke; feat-unveiling and inveigling power; and melodic comedic antics. Let's all seize and relish a moment of genuine resting while feasting on this blues-easing dynamic classic. What a joy divine! For it has lightened up one's doubtless colorless life in a wackily far-out, standout way - a sort of taking part in a 134-minute over-the-rainbow hoedown. So let's all do enjoy and keep ourselves gay. Okey / Dokey!! Ta-ta!!

sunnychuang
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HOW CAN I SHOOT YOU IF YOU KEEP MOVING

liv
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The man with the yellow hat before he bought the suit from curious George Timon and simba from the lion king

vivianaespinoza
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LITTERALY WHAT THE GRUNHUB AD IS DOING LOL:

ffddd
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How did Matthew Broderick managed to avoided a heart attack in this movie, will remain a mystery...!!! Talk about overacting!

jeffsamiei
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R rated plays should never be PG-13 movies

MegaSheen
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Is this musical any good? I’m working by way down the canon

Woofers
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Will Ferrell in this film Kenneth Mars in the original

MrGabeanator