Постановки Рудольфа Нуреева. 'Баядерка' 2012 г. III акт.

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"Bayadere". Rudolf Nureev's statement. III Act.

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I remember once meeting Rudolph Nureyev at the King Edward Hotel in Toronto. I was eighteen years old at the time, still in high school. He was muscular, in his late twenties, of average height, and like many dancers quite healthy and attractive, with eyes of dazzling intensity. The eyes were as unique as the man himself. A creative fire clearly burned within him. A man of truly exceptional capacities. I know several of the ballerinas he performed with, from the National Ballet of Canada, and they all had a special place in their hearts for this dance genius. When you watch other worthy male dancers perform the roles he created for himself, you can still see his spirit coming through every step of the rugged way. I watched him dance in Toronto and New York at least a hundred times. Even when he was exhausted, there was still a magic which shone through, rarely failing him on stage.

classicalaid
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Ottima la regia ideativa del coordinamento del collettivo danzante che esprime pose figurali come in un mirabile flusso ove leggerezza ed armonia la fanno da padroni.Ottima la fibrillazione dei passi sulle punte in veloce eundo della ballerina e quello che mi piace chiamare convolo aereo ed elanista della ballerina ottimamente indotto e tenuto dal partner. Ottime le pose figurali nell'ensemble e la levità fatta tensione motile sorprendente nella ballerina. Ottimo il senso del continuum dato alla pièce danzante dai protagonisti.Superlativi. BIGHIN GIULIO RENZO. 😊😊😊😊😊😊😊

giuliorenzobighin
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Браво тени блестяще поставлено и грандиозно станцевали

АлександрЯрков-шз
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I have attended a dozen performances of this production and I'm always touched by the beauty and the interpretation of the characters by the dancers. It is the very best Bayadere ever! Bravissimo

impression
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Феноменальная хореография, блестящие танцовщики! Спасибо!
Aurélie Dupont and Joshua Hoffalt.

Dima.Demidov
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Una belleza de ballet igual a la de su autor Rudolf Nureyev. El era especial y diferente a cualquier otro bailarin, y nunca habrá otro como él porque es irrepetible. Mientras que él moría estaba haciendo este ballet, fue su regalo a sus admiradores. Nunca se le podrá olvidar. Y efectivamente su mirada era de una profundidad asombrosa.

isabeldiezlangre
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Somptueux ! Danseurs Etoiles remarquables et surtout un Corps de Ballet de haut vol : un ensemble parfait ! J'étais dans le public à Bastille en décembre 2015, et il y avait là un Solor incroyable : Kimin Kim ... j'apprécie davantage encore la version en " live" et sans public de décembre 2020 avec Mathias Heymann, Ludmila Pagliero et l'immense Paul Marque (l'Icône dorée) nommé Etoile ce jour !!! Un plaisir sans cesse répété ...

gioia
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Это что-то невероятное. Дух захватывает.

lanaan
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A továbbiakban sok-sok sikert kívánok, gratulálok a tisztelt karmesternek, zenekarnak Tisztelettel, György Tibrea

gyorgytibrea
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Gyönyörű balettelöadás Gratulálok! Üdvözlettel, Tisztelettel, György Tibrea

gyorgytibrea
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El ballet de la Ópera de Paris alcanzó con él el escalafón más alto.

isabeldiezlangre
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Le Ballet est plus que bon : un ensemble pas même égalé au Marinski ou au Bolshoi ! Même constat avec Le Lac ...

gioia
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One of the soloists smiling in the Kingdom of the Shades! How could a company director/ repetiteur miss such an important little detail.

normamimosa
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Sono molto perplessa. Non mi piace la coreografia. Adoro Rudolf Nureyev ma lo preferisco come ballerino

annicarbone
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The lighting really sucked. I find it offensive! however beautiful performance.

dblueroom
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What's with the Nureyev-choreographed pointless-petit-batterie in the opening male variation? What for?!

avesraggiana
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It's Paris Opera but who are the soloists? He reminds me of Hilaire and her face looks like Gillot but Gillot wouldn't be young .. I saw her dance it in 2001with Tsiskaridze. Please, tell me who they are, I am not too familiar with French dancers.

BytomGirl
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Wipe those absurd smiles off of your faces!!! Smiling has no business in the Kingdom of the Shades.

mrlopez-pzpu
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I miss those strong and expressive Russian backs in the opening arabesque sequence. In fact I miss the Russian way of dancing this white act. The French school of dancing, as corrupted by Nureyev, doesn't suit La Bayadere.

avesraggiana
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Amazing balley but 1 of the main woman role - queen - looks so weak and uninteresting

sashanat