It is from these still images in Ozu that the movement gives a certain vigor, but the absence of these characters evokes a new realization that without them, there is nothing alive. Your superimposition here revokes this feeling of great fragility in the image, we no longer see the children, the parents, the teacher, the friends. The neighborhood, the house, so usually enlivened by intrusions and passages, gradually empties into the intertwining of images. Best regards. I look forward to seeing your next works.
