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Johann Cramer - Petite Etude, Op.55/5
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This piece is from "Dulce et utile, Op.55 ou six petites Etudes pour le Piano forte" and published in 1815. It is the only minor piece in a set of 6 pieces, reflecting the under represented minor tonalities in the classical era (or early romantic). Most people associate Cramer probably with technical exercises or even "boring" music. This piece should show that he was capable to compose very fine and nice sounding music too.
Cramer (1771-1858) was an English pianist, composer and music publisher of German origin. He was the son of Wilhelm Cramer, a famous London violinist and conductor, one of a numerous family who were identified with the progress of music during the 18th and 19th centuries.
From 1782 to 1784, he studied piano under Muzio Clementi and soon became a renowned professional pianist both in London and on the continent. He enjoyed a worldwide reputation, and was particularly appreciated by Beethoven when he visited Vienna, concertized and competed with him. Both were considered the greatest pianists of their time, Beethoven excelling in interpretative expressiveness, Cramer in pure technical perfection. He was the English publisher of Beethoven's Piano Concerto No. 5 and is credited with giving it its nickname, "The Emperor".
Cramer was one of the most renowned piano performers of his day. He met Beethoven in Vienna, initiating a mutually rewarding relationship, while renewing his friendship with Haydn.
After 1800, he was based almost exclusively in England. Following the successful example of his former teacher Clementi, he also became a successful music publisher in London. His many compositions take second place to his pianistic prowess; Beethoven considered him the finest pianist of the day from the standpoint of pure technical perfection.
He wrote some 200 solo piano sonatas, about 50 sonatas for other instruments with piano accompaniment, nine piano concertos, and chamber music.
This piece is from "Dulce et utile, Op.55 ou six petites Etudes pour le Piano forte" and published in 1815. It is the only minor piece in a set of 6 pieces, reflecting the under represented minor tonalities in the classical era (or early romantic). Most people associate Cramer probably with technical exercises or even "boring" music. This piece should show that he was capable to compose very fine and nice sounding music too.
Cramer (1771-1858) was an English pianist, composer and music publisher of German origin. He was the son of Wilhelm Cramer, a famous London violinist and conductor, one of a numerous family who were identified with the progress of music during the 18th and 19th centuries.
From 1782 to 1784, he studied piano under Muzio Clementi and soon became a renowned professional pianist both in London and on the continent. He enjoyed a worldwide reputation, and was particularly appreciated by Beethoven when he visited Vienna, concertized and competed with him. Both were considered the greatest pianists of their time, Beethoven excelling in interpretative expressiveness, Cramer in pure technical perfection. He was the English publisher of Beethoven's Piano Concerto No. 5 and is credited with giving it its nickname, "The Emperor".
Cramer was one of the most renowned piano performers of his day. He met Beethoven in Vienna, initiating a mutually rewarding relationship, while renewing his friendship with Haydn.
After 1800, he was based almost exclusively in England. Following the successful example of his former teacher Clementi, he also became a successful music publisher in London. His many compositions take second place to his pianistic prowess; Beethoven considered him the finest pianist of the day from the standpoint of pure technical perfection.
He wrote some 200 solo piano sonatas, about 50 sonatas for other instruments with piano accompaniment, nine piano concertos, and chamber music.
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