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Neil Young and Crazy Horse live in Chicago 1976

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Neil Young and Crazy Horse live at Chicago Auditorium
Chicago, IL, USA 15/11-1976
Band
Neil Young - vocals, guitar, keyboards, banjo, harmonica
Frank Sampedro - guitar, keyboards, vocals
Billy Talbot - bass, vocals
Ralph Molina - drums, vocals
Setlist
0:00 - Heart of Gold
3:36 - The Old Laughing Lady
10:11 - Journey Through the Past
14:51 - Too Far Gone
19:08 - Give Me Strength
22:57 - The Needle and the Damage Done
25:55 - A Man Needs a Maid
xx Tell Me Why (left out)
32:11 - Sugar Mountain
38:35 - Country Home
44:40 - Don’t Cry No Tears
48:36 - Peace of Mind
54:06 - Lotta Love
58:43 - Like a Hurricane (long intro)
1:10:45 - After the Gold Rush
1:16:10 - Are You Ready for the Country?
Celebrating 4000 subscribers to my channel.
And doing it in style with this jewel.
Neil Young and his Crazy Horse live from 1976 in a perfect soundboard recording.
There is so much emotions in Neil songs and lyrics.
Dreamy yet powerful.
I though ”A Man Needs A Maid” was particular emotionally.
Brilliant recording and brilliant music.
I’m going to update more music when I have time but not so frequently as before.
I have some music projects coming up, both recording and filming for my new band project ”Pipes Of Peace”.
Witch I hope will carry some of the torch left in the Seventies.
So stay tuned for more great live musics and some new music.
And as always a big thanks for the people that share this things to us all.
Enjoy some Neil Young and Crazy Horse/GråZon
Tape:
Today, we're going to share what we expect to be the final and absolute upgrade of this beautiful concert.
But before going into the details, Iíd like to say something.
I'm sure that, like myself, most of you take these days to reflect on everything done through the year 2017. Well, we, the extended JEMS team, certainly do too. And that's why we are posting this show at this very moment. We want to say thank you to all of you for your continuous support, especially to those who entrusted their tapes to our archives, as well as to those who encouraged us every time, to those who helped us with shows we didn't know about or artists where we didn't have a clue or weren't familiar with.
2017 passed by really fast, but what we did, believe us, we are really proud, because this passion we all share, like music archivists, listeners, fans or even just casual ones,is what unites us, it is what makes this great site where we choose to share, so special. Once again, thank you to all of you.
And now, about this recording. Iím sure this is one of those Neil Young recordings that all of you are familiar with, but this marks the first time this specific source has been shared. During all those years there has always been the same underlying version of this concert, but always from a bootleg release, never a version with known generation, let alone a source with known lineage to the master.But that changes now. BK of JEMS explains:This cassette comes from the collection of our longtime friend and ally SS, and given everything we know about the provenance of this famous and fabulous recording and the person from which SS received it, we strongly believe this cassette is the point of origin for every known version of the show. Meaning, all copies in circulation go back to this tape. It is ground zero. What we do not know for sure is if it is THE actual soundboard master. My assumption is that this is a first-generation tape made off either a cassette or reel master. Regardless, I believe it to be the best known version of the recording and the first with a lineage back to analog source with no digital tape or CD generation in-between.î
Firstly, this version, although it had several of the noises and minor sonic defects also present in the bootleg releases, unlike those, in this version they are barely perceptible, able to be heard only if you pay full attention or if you are fully interested in those details, either because you are someone interested in those type of issues or because you're planning to fix them yourself. In my opinion, sonically this transfer sounds much warmer, with more clarity both in the vocals as much as in the sound of the guitar. It feels more natural, unlike the bootleg releases that surely, at some point, had some kind of noise reduction. Here the mastering has no residue of such a process. And although, honestly, I am a dedicated uploader here on DIME, this time I felt the need to require the help of a well-known member of this community, kneesfudd, who kindly agreed to help me to fix a number of problems that, frankly, beyond the extent of my abilities. Thanks kneesfudd for lending a hand.I am very happy to know that this recording is finally getting a release worthy of its quality. Samples provided.As always, I thank the JEMS team for their eternal confidence in me (and those who support me) in releasing recordings to the public. Huge thanks as well to SS for loaning BK his cassette source and blessing its dissemination. frogster
Chicago, IL, USA 15/11-1976
Band
Neil Young - vocals, guitar, keyboards, banjo, harmonica
Frank Sampedro - guitar, keyboards, vocals
Billy Talbot - bass, vocals
Ralph Molina - drums, vocals
Setlist
0:00 - Heart of Gold
3:36 - The Old Laughing Lady
10:11 - Journey Through the Past
14:51 - Too Far Gone
19:08 - Give Me Strength
22:57 - The Needle and the Damage Done
25:55 - A Man Needs a Maid
xx Tell Me Why (left out)
32:11 - Sugar Mountain
38:35 - Country Home
44:40 - Don’t Cry No Tears
48:36 - Peace of Mind
54:06 - Lotta Love
58:43 - Like a Hurricane (long intro)
1:10:45 - After the Gold Rush
1:16:10 - Are You Ready for the Country?
Celebrating 4000 subscribers to my channel.
And doing it in style with this jewel.
Neil Young and his Crazy Horse live from 1976 in a perfect soundboard recording.
There is so much emotions in Neil songs and lyrics.
Dreamy yet powerful.
I though ”A Man Needs A Maid” was particular emotionally.
Brilliant recording and brilliant music.
I’m going to update more music when I have time but not so frequently as before.
I have some music projects coming up, both recording and filming for my new band project ”Pipes Of Peace”.
Witch I hope will carry some of the torch left in the Seventies.
So stay tuned for more great live musics and some new music.
And as always a big thanks for the people that share this things to us all.
Enjoy some Neil Young and Crazy Horse/GråZon
Tape:
Today, we're going to share what we expect to be the final and absolute upgrade of this beautiful concert.
But before going into the details, Iíd like to say something.
I'm sure that, like myself, most of you take these days to reflect on everything done through the year 2017. Well, we, the extended JEMS team, certainly do too. And that's why we are posting this show at this very moment. We want to say thank you to all of you for your continuous support, especially to those who entrusted their tapes to our archives, as well as to those who encouraged us every time, to those who helped us with shows we didn't know about or artists where we didn't have a clue or weren't familiar with.
2017 passed by really fast, but what we did, believe us, we are really proud, because this passion we all share, like music archivists, listeners, fans or even just casual ones,is what unites us, it is what makes this great site where we choose to share, so special. Once again, thank you to all of you.
And now, about this recording. Iím sure this is one of those Neil Young recordings that all of you are familiar with, but this marks the first time this specific source has been shared. During all those years there has always been the same underlying version of this concert, but always from a bootleg release, never a version with known generation, let alone a source with known lineage to the master.But that changes now. BK of JEMS explains:This cassette comes from the collection of our longtime friend and ally SS, and given everything we know about the provenance of this famous and fabulous recording and the person from which SS received it, we strongly believe this cassette is the point of origin for every known version of the show. Meaning, all copies in circulation go back to this tape. It is ground zero. What we do not know for sure is if it is THE actual soundboard master. My assumption is that this is a first-generation tape made off either a cassette or reel master. Regardless, I believe it to be the best known version of the recording and the first with a lineage back to analog source with no digital tape or CD generation in-between.î
Firstly, this version, although it had several of the noises and minor sonic defects also present in the bootleg releases, unlike those, in this version they are barely perceptible, able to be heard only if you pay full attention or if you are fully interested in those details, either because you are someone interested in those type of issues or because you're planning to fix them yourself. In my opinion, sonically this transfer sounds much warmer, with more clarity both in the vocals as much as in the sound of the guitar. It feels more natural, unlike the bootleg releases that surely, at some point, had some kind of noise reduction. Here the mastering has no residue of such a process. And although, honestly, I am a dedicated uploader here on DIME, this time I felt the need to require the help of a well-known member of this community, kneesfudd, who kindly agreed to help me to fix a number of problems that, frankly, beyond the extent of my abilities. Thanks kneesfudd for lending a hand.I am very happy to know that this recording is finally getting a release worthy of its quality. Samples provided.As always, I thank the JEMS team for their eternal confidence in me (and those who support me) in releasing recordings to the public. Huge thanks as well to SS for loaning BK his cassette source and blessing its dissemination. frogster
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