Amazing II V I with Modal Chords 🤯 #guitar

These 3 special chords sound amazing together. You might think, well they are all a mode, but not really, like this it is different, and these modal chords sound amazing! 🙂

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My name is Jens Larsen, Danish Jazz Guitarist, and Educator. The videos on this channel will help you explore and enjoy Jazz. Some of it is how to play jazz guitar, but other videos are more on Music Theory like Jazz Chords or advice on how to practice and learn Jazz, on guitar or any other instrument.
The videos are mostly jazz guitar lessons, but also music theory, analysis of songs and videos on jazz guitars.

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[JensLarsen]

Do you use these colors and which on is your favorite? 😎

[Luka-wjmd]

The second Cmaj7#11 voicing sounds incredible

[minunianda]

This channel is blowing my mind and changing my life. If you ever come to America to do a jazz clinic, I’m front and center.

[bindingchain]

You have really opened my eyes to all the ways you can slice a 2-5-1. Thank you

[michaelstevens]

Great Video Jens. I like the second D minor 7 add 11, 13 with the first G7 sus4 flat 9 and first C Major 7#4. Combines both step wise and skip wise Voice Leading. Here's one of my favorite smooth voice leading Major 2-5-1's. This is in Degrees, bottom to top, top 4 strings. D minor 7 add 11, 13-mi.7, mi.3, mi.11, mi.13.-G7 sus 4 flat9-sus4, 5, 1, flat9.(Holdsworth stretch for the flat 9)-C Major 6/7-1, Ma.3, Ma.6, Ma.7- C Major 7 sharp 4-1, sharp 4, 5, Ma.7. Thanks.

[TheFrankiejay]

Sounds wicked man 😊 thanks. I will learn all of them. Super duper chords Jens ❤

[peterschmitz]

These look like chords you'd find in Ted Greene's Chord Chemistry Book. How did you come up with these voicings? That would be a nice video topic.

[tomcripps]

I like the 1st 2. I can't find anything to use them on so I have to make up my own song.

[damonshanabarger]

I have found this video to be very intriguing. I'm curious how this relates to whole step key changes from the key of C Major to the key of Bb Major from the G minor perspective with a relative center key of F Major. I have found that this type of perspective allows me to move clockwise and counter-clockwise around the center key with the actual keys and modes becoming ever increasingly blured in a melodically harmonious way.