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【Limited Time Free!?】Best Free VST Plugin in2024 for Mixing? Fundamental Bass by W. A. Production
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As a famous vocalist once sang, “It’s all about the bass” and in as far as most genres of music are concerned, she’d be correct! Bassline balancing has always been a big challenge for producers, especially at the mixing stage, as the dynamic range of low-end material can be huge. If you leave bass lines as they are, then they’ll threaten to unbalance the rest of your mix, but apply compression too liberally and a lively bass sound will have the life sucked out of it. So what to do?
That’s where Fundamental Bass comes in, giving you a quick way to tighten up the dynamics of your low end whilst keeping the snap and sparkle of mids and highs. The processing is achieved with an adjustable frequency split which feeds to two separate modules for processing. The low band features twin-compressors and imaging adjustment for clarity and mono compatibility. The high band compresses and adds grit, enhancing natural harmonics whilst keeping the bounce of the bass.
With a clutch of useful parameters and a comprehensive range of presets, all you need to worry about is where to set the frequency split for maximum dance floor destruction.
Low & High-Frequency Split
The main concept behind Fundamental Bass is in the way it splits audio into high and low modules for independent processing. This way of mixing bass ensures that the low end is smoothly compressed without losing the excitement of mid and high-frequency dynamics. Green (low) and yellow (high) coloured modules make it easy to see which range you’re adjusting, and each has separate on/off buttons, gain sliders and mix ratio dials.
Low Module
The Balance dial sets a compression level with up to -60dB attenuation. Make-up gain is automatically applied. The Flatten dial is a more aggressive compressor, used for evening out the dynamics of really bouncy bass lines or acoustic material with a wide dynamic range. Experiment with these two compression types to control your bass whilst still maintaining the groove.
High Module
Use the Balance dial to introduce gentle compression and the Drive dial to add a little (or a lot) of grit to the sound. You get tube-style saturation at low levels and full-on distortion when pushed harder. Careful tweaking of this control can add sparkling top-end to bass lines whilst keeping the low end clean and clear.
High & Low Pass Filters
Manoeuvre your bass line out of the way of your kick with the high pass filter handle - simply drag to determine a lower frequency limit and your kick and bass separation will sound much clearer. You can also ditch troublesome high frequencies that might be conflicting with other instruments. Just use the low pass filter handle to set a limit.
Split-stereo Imaging
An age-old producer trick is to collapse bass lines to mono. This ensures that they will mesh with the kick more effectively and better translate to a wider range of playback systems. Fundamental Bass can perform this trick easily, with independent stereo imaging sliders for the low and high modules. Set the low module to mono and high module to stereo to maintain the lively top end whilst centering any wandering low frequencies.
Mix & Balance
With independent gain controls for both the high and low modules, plus mix ratio dials for parallel processing, you can use Fundamental Bass for either subtle changes or powerfully expressive makeovers. The master clipper smooths out the dynamics of the outgoing audio and the output level slider allows you to set an accurate level for accurate A/Bing with the pop-free bypass control.
Features
Frequency-split bass processing
Independent compression & stereo imaging
Tube-style saturation & distortion
High and low-frequency filtering
Visual feedback
Responsive & CPU friendly
Factory presets
Full PDF Manual & Tutorial video
Resizable user interface
#vst #waproduction #pluginlibrarian
We broadcast a lot of plugin and samplepack etc. information including freebies or deals.Please subscribe!
As a famous vocalist once sang, “It’s all about the bass” and in as far as most genres of music are concerned, she’d be correct! Bassline balancing has always been a big challenge for producers, especially at the mixing stage, as the dynamic range of low-end material can be huge. If you leave bass lines as they are, then they’ll threaten to unbalance the rest of your mix, but apply compression too liberally and a lively bass sound will have the life sucked out of it. So what to do?
That’s where Fundamental Bass comes in, giving you a quick way to tighten up the dynamics of your low end whilst keeping the snap and sparkle of mids and highs. The processing is achieved with an adjustable frequency split which feeds to two separate modules for processing. The low band features twin-compressors and imaging adjustment for clarity and mono compatibility. The high band compresses and adds grit, enhancing natural harmonics whilst keeping the bounce of the bass.
With a clutch of useful parameters and a comprehensive range of presets, all you need to worry about is where to set the frequency split for maximum dance floor destruction.
Low & High-Frequency Split
The main concept behind Fundamental Bass is in the way it splits audio into high and low modules for independent processing. This way of mixing bass ensures that the low end is smoothly compressed without losing the excitement of mid and high-frequency dynamics. Green (low) and yellow (high) coloured modules make it easy to see which range you’re adjusting, and each has separate on/off buttons, gain sliders and mix ratio dials.
Low Module
The Balance dial sets a compression level with up to -60dB attenuation. Make-up gain is automatically applied. The Flatten dial is a more aggressive compressor, used for evening out the dynamics of really bouncy bass lines or acoustic material with a wide dynamic range. Experiment with these two compression types to control your bass whilst still maintaining the groove.
High Module
Use the Balance dial to introduce gentle compression and the Drive dial to add a little (or a lot) of grit to the sound. You get tube-style saturation at low levels and full-on distortion when pushed harder. Careful tweaking of this control can add sparkling top-end to bass lines whilst keeping the low end clean and clear.
High & Low Pass Filters
Manoeuvre your bass line out of the way of your kick with the high pass filter handle - simply drag to determine a lower frequency limit and your kick and bass separation will sound much clearer. You can also ditch troublesome high frequencies that might be conflicting with other instruments. Just use the low pass filter handle to set a limit.
Split-stereo Imaging
An age-old producer trick is to collapse bass lines to mono. This ensures that they will mesh with the kick more effectively and better translate to a wider range of playback systems. Fundamental Bass can perform this trick easily, with independent stereo imaging sliders for the low and high modules. Set the low module to mono and high module to stereo to maintain the lively top end whilst centering any wandering low frequencies.
Mix & Balance
With independent gain controls for both the high and low modules, plus mix ratio dials for parallel processing, you can use Fundamental Bass for either subtle changes or powerfully expressive makeovers. The master clipper smooths out the dynamics of the outgoing audio and the output level slider allows you to set an accurate level for accurate A/Bing with the pop-free bypass control.
Features
Frequency-split bass processing
Independent compression & stereo imaging
Tube-style saturation & distortion
High and low-frequency filtering
Visual feedback
Responsive & CPU friendly
Factory presets
Full PDF Manual & Tutorial video
Resizable user interface
#vst #waproduction #pluginlibrarian
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