Jean Sibelius: Symphony No. 2, Op. 43 / Leonard Slatkin / Taipei Music Academy & Festival Orchestra

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2023 TMAF Orchestra Concert
August 13, 2023
National Concert Hall

Leonard Slatkin, conductor
Taipei Music Academy & Festival Orchestra

Jean Sibelius: Symphony No. 2 in D Major, Op. 43
I. Allegretto
II. Tempo andante, ma rubato
III. Vivacissimo
IV. Finale: Allegro moderato

Conductor: Leonard Slatkin
Violin: David Chan / Koichiro Harada / Frank Huang / Joel Smirnoff
Viola: Beth Guterman Chu / Hsin-Yun Huang
Cello: Ben Hong / Mark Kosower
Double Bass: Harold Hall Robinson
Flute: Emily Beynon
Oboe: Gordon Hunt
Clarinet: Wenzel Fuchs
Bassoon: Stephen Paulson
Horn: Erik Ralske
Trumpet: Esteban Batallán
Trombone｜Kenneth Thompkins

ff Studio
Tonmeister: TSO Hsing
Film Director: WU ChenChen

More information about Taipei Music Academy & Festival (TMAF):

#tmaf #leonardslatkin #sibelius #taipeimaf #musicfestival #taiwan #music #tmaf2023 #2023tmaf
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Комментарии
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I'm amazed that so many young musicians can produce something so large scale so wonderfully. Bravo!

davidb
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Listening to this wonderful rendition of Sibelius from Taipei reminds my that music is worldwide. Thank you all for wonderful playing and greetings from Sweden.

staffanolofsson
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Absolutely top notch performance that brought out the unique sound of Sibelius by Mr. Slatkin and other world class orchestra musicians, these young academicians are playing and learning from the best. 台灣加油.

yenlee
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Sono fortemente impressionato non solo dalla superba bellezza della sinfonia ma anche dalla bravura assoluta e impegno degli esecutori e del Maestro. Infiniti ringraziamenti

romanokovacs
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A most enjoyable performance. I am sure the young musicians value the wonderful opportunity to play alongside these great, long experienced orchestral players, led by a splendid conductor like Leonard Slatkin.

leestamm
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1st CL. isn't that the guy from Berlin?

guidepost
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有幸遇到台北的樂團, 親切感來自我也是台北人😅, 不過, 這個樂團從沒聽過, 當然與我的外行有關, 平常幾乎以聽網上（YouTube, Spotify, 要感謝他們提供的免費資源, 雖然需廣告支持)及CD為主；欣賞本影片的感想有, 第一個是指揮家史特拉金的老態龍鍾（以前曾沒注意其貴庚）, 以及他老人家的大駕光臨！藉機訴一下苦😅, 以前發現杜卡斯的交響曲比想像中要好聽（因為它並不熱門）, 於是到處搜尋演出版本, 結果在YouTube找到史特拉金（好像是指揮法國的樂團）, 所指揮的第三樂章, 感覺詮釋及錄音都很上乘, 所以很想買CD來收藏, 但當時已經買不到了, 十分惋惜！第二個感想是, 感覺這個樂團小號手非常厲害, 力度變化控制地很好, 趁專注聆聽的空檔（要想像音樂需非常專注, 敝人腦力有限, 常常無法一心多用地邊看邊聽😅）, 好奇地一查看, 竟青一色皆是外籍人士😅！也很好奇他們來台北的經歷與背景！第三個感想是本首交響曲的末樂章音樂性很強, 但似乎很難詮釋與演錄, 聽了眾多版本, 似乎都不甚滿意！而在這裏, 第一次聽（就寫留言）的結果, 因內容並無滾瓜爛熟以至於誤判了前面的景色階段, 不過卻讓我體會到西貝流士在此的寫法, 似乎不直接針對太陽主體而是藉由四周的光影變化來描寫天色時辰及落日大概的位置！？在這裏頗能聽出明堂, 我想這要歸功於聲部的清晰可辨！而且不要小看了定音鼓的地位！到最後階段我則認為長笛的錄音要非常清楚, 才能明顯交代景色（落日正前水面上的波光）, 而這裏似乎稍嫌模糊！？而大提琴也稍不一致（但無傷大雅）；整體而言, 比想像中還好, 第一樂章聽起來很不錯, 末樂章則似乎提供了正確的大致輪廓（跟錄音的幅員大有關係！？）, 也因現場感是不是比CD要強！？當然我第一個想到的是, 這要歸功史特拉金指揮家的指揮, 詮釋還有錄音！

tomlin