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Get Started Using Theatre Projections | Theatre Chats w/ Price Johnston
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In this episode of Theatre Chats, we talk to Price Johnston, globally renowned projection designer and theatre professor at Colorado State University.
We cover a lot of topics related to projection design and how to bring the magic to schools, community theatre, and beyond. Here is a full breakdown of the chat so you can skip to the topic that most interests you:
0:00 — Introduction
1:04 — How Price started in theatre and projection design
2:30 — Shows that impacted him at a young age
4:45 — Landmark shows Price has worked on
9:16 —General tips for getting started with projections
13:10 — Number of lumens you need in a projector
16:27 — If you're looking to buy a projector, what you need
23:37 — Recommended software for projections
28:19 — Projection with a $0 budget
35:04 — Tips for keeping light off the screen or projection surface
47:57 — Traveling with projection equipment for easy setup
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About Price Johnston:
Price Johnston’s career in design has spanned theatre, dance, and opera in both the U.S. and abroad. With work in New York, Chicago, Los Angeles, Moscow, Athens (Greece), London, Atlanta, St. Petersburg (Russia), and Denver, he has designed over 180 productions. His credits include: the world premiere of Jomandi Productions’ Lavender Lizards Lilac Landmines: Layla’s Dream by Tony nominated playwright Ntozake Shange (14th Street Playhouse, Atlanta, Ga. and the 2004 National Black Theatre Festival), the Off-Broadway production of Two Rooms (Trilogy Theatre, New York), Guys and Dolls (2000 British Tour), and the world premieres of Huckleberry Finn: The Musical, and A Southern Christmas Carol (Cotton Hall Theatre), written by award-winning playwright/director Rob Lauer.
Other design credits include American Buffalo, Oh What a Lovely War, Assassins, The World Goes Round, and Never Enough, choreographed by Shapiro and Smith (Kennedy Center for the Performing Arts, Washington, D.C.), Company, Art, The Complete History of America Abridged (Greenshoe Theatre Company), Swamp Gravy: Down at the Depot “Georgia’s Official Folk Life Play” (Cotton Hall Theatre), Clue: The Musical, The Miracle Worker, Lighting Director for Bates Dance Festival (Lewiston, Maine), Sabrina Fair, Hamlet (1990 American College Theatre Festival Nominee), Janis Brenner’s Lost/Found/Lost (Isadora Duncan International Dance Festival – Kransnoyarsk, Russia), The 2008 Jeff Award-Winning Production of 1776 (Chopin Theatre – Chicago), Passiones (Athenaeum Theatre – Chicago), Lighting/Sound/Video supervisor for the international touring dance company David Dorfman Dance: Underground, The Pee-Wee Herman Show (Club Nokia Theatre, Los Angeles), A Midsummer Nights Dream (Moscow Cosmos Theatre/St. Petersburg Music Hall, Russia), and the Chicago premiere of I Sing! (Chicago Playwright Theatre).
Price has also served as Production Manager for Live Design International (LDI), the LDI Conference – LDInstitute and Live Design Broadway Training and Masters Classes (Lighting, Concert Sound and Projection Design). His recent work includes the 2015 Drama Desk Award Nominated - Best Projection Design - Donogoo (The Mint Theatre, Off-Broadway - New York), Young Frankenstein The Musical (Union Colony Civic Center Theatre - Greeley, Colo.), the World Premieres of Eh Joe and Beckett’s Women (2015 Happy Days Enniskillen International Beckett Festival - Enniskillen, Ireland) and The Pee-Wee Herman Show on Broadway (Stephen Sondheim Theatre - New York).
Price holds a M.F.A in Lighting Design from the University of Florida, and a Bachelors Degree in Theatrical Design from Colorado Mesa University. He is a member of USITT and the iDMAA.
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