Madama Butterfly by Giacomo Puccini (Ana María Martínez)

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Pour écrire Madame Chrysanthème, Pierre Loti a puisé dans les souvenirs de son propre voyage au Japon entrepris en 1885. Pour composer Madama Butterfly, Giacomo Puccini s’est inspiré, quant à lui, des mélodies populaires et des sonorités des voix nippones. Mais dans la littérature comme dans la musique, l’héroïne reste la même : Kiku‑san ou Cio-Cio‑san, une jeune geisha trahie par son mari occidental, symbole de la rencontre entre deux mondes étrangers. La mise en scène épurée de Robert Wilson épouse à merveille l’intensité dramatique et la violence sous-jacente de cette tragédie imprégnée de japonisme.

Madame Butterfly de Giacomo Puccini, du 14 septembre au 13 novembre 2019 à l'Opéra Bastille

Avec :

Ana María Martínez / Dinara Alieva
Marie-Nicole Lemieux / Eve-Maud Hubeaux
Giorgio Berrugi / Dmytro Popov
Laurent Naouri

Orchestre et Chœurs de l’Opéra national de Paris

Mise en scène de Robert Wilson
Direction musicale de Giacomo Sagripanti
  1. Opéra national de Paris
  2. Madama Butterfly
  3. Giacomo Puccini
  4. Ana María Martínez
  5. Cio-Cio‑san
  6. Robert Wilson
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Комментарии
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Wonderful!!! Sounds amazing Ana Maria Martinez

catherinecangiano
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Siamo consapevoli che il canto è la cosa piu importante .Ma la rigidità di tutti i personaggi fa pensare ai figurini" Lego" ed è impossibile immedesimarsi nei personaggi.
Non c'è emozione, poichè manca la passione che intenzionalmente è stata tolta.
Le persone che per la prima volta ascoltano pubblicamente un opera, e nella quale non si conoscono le parole del dramma e non si conosce la lingua, non possono apprezzare l'insieme poiché i sentimenti dei personaggi sono lunari.

antonn
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_No wonder the kid isn't on stage w / her -- she would scare the poor guy w / her fiercely penetrating voice._

_Oh ! There he is._

_NO MATTER !_

_What a different kind of ending -- absurd, but different._

cliffgaither
Автор

Oh God I absolutely hate Wilson's lifeless and stiff productions, it's all about aesthetics (and always the same aesthetics, regardless of the opera's plot, location and meaning). The drama is "boxed" within some rigid boundaries. Then they wonder why some people now think opera is boring, tsk tsk tsk... Thankfully Martínez is a wonderful soprano.

ygorcoelhos