How To Solo Like John Mayer #guitarlesson

Are you an intermediate guitarist who has been stuck in a soloing rut for years? Or even decades?

If the answer is yes, then I’m guessing you’ve grown tired of playing the same licks over and over again…

This course teaches you how to ditch your stale, repetitive licks and instead, begin playing tasteful guitar solos that ooze melody and feel!

The best part? You can learn how to do this WITHOUT learning ‘exotic’ guitar scales, wasting hours trawling through YouTube lessons, or spending a penny!

That’s right, I’m giving this course away for zero dollars (for the time being…), so act today to grab it with free, lifetime access.

Here’s a tip-of-the-iceberg overview of the main benefits you can expect to experience when you study the curriculum of “Melodic Soloing With Triads”:

✅ You’ll move beyond the limitations of a purely scale-based approach to guitar soloing… so that you can stop feeling stuck inside scale patterns and boxes

✅ You’ll learn to target the notes that create a strong connection between your licks and the chords they are played over… so that you can stop playing repetitive un-musical licks and begin crafting melodies

✅ You’ll stop aimlessly wandering the fretboard, hoping to land on notes that sound good… and start improvising with the confidence of a pro-level guitarist, who always knows which notes to target for an epic solo

[TomCPlus]

I got your Bulletproof Guitar course back when it was still on Udemy . . . and it resulted in me being able to play in any key from wherever I found myself on the fretboard, because I had all the scale shapes in muscle memory. Not saying that I was instantly a great soloist, I wasn't. But now I have your free Melodic Soloing with Triads, and the muscle memory knowledge of these basic chord shapes will allow me to design melodies that fit within a song's chord progressions. Looking forward to improving every day! Thank you Ross -- enjoy your Nashville experience.

[loganmcnitt]

Please correct me if I’m wrong. But isn’t this song in the key of E major, making the D# the Major7 of the key?

[njiscott]

I don't understand. Is it that he plays D# note and then bends? or he plays C# and then "bends up to" the D#