Mendelssohn - Symphony No. 5 (Reformation)

Felix Mendelssohn Bartholdy - Symphony No. 5 (Reformation)

The Symphony No. 5 in D major/D minor, Op. 107, known as the Reformation, was composed by Felix Mendelssohn in 1830 in honor of the 300th anniversary of the Presentation of the Augsburg Confession. The Confession is a key document of Lutheranism and its Presentation to Emperor Charles V in June 1530 was a momentous event of the Protestant Reformation. This symphony was written for a full orchestra and was Mendelssohn's second extended symphony. It was not published until 1868, 21 years after the composer's death – hence its numbering as '5'. Although the symphony is not very frequently performed, it is better known today than when it was originally published. Mendelssohn's sister, Fanny Mendelssohn Hensel, chose the name Reformation Symphony.
In December 1829, a year before the King of Prussia Frederick William III had even announced the tercentennial Augsburg celebrations, Mendelssohn began work on the Reformation Symphony. Mendelssohn hoped to have it performed at the festivities in Berlin which took place on 25 June 1830. He had intended to finish the composition by January 1830 and tour for four months before the celebrations began in June. However, his ill health caused the Reformation Symphony to take longer to compose than he had initially expected. In late March the symphony was still in a state of fabrication, and in an inauspicious turn of events Mendelssohn caught measles from his sister Rebecka. With a further delay of the composing and touring, Mendelssohn eventually completed the symphony in May. Unfortunately, it was too late for the Augsburg commission to recognize the symphony for the celebrations.
Some authorities have suggested that antisemitism may have played a role in the symphony's absence from Augsburg. But the successful competitor, Eduard Grell, had already established himself as a competent and successful composer who was gaining considerable popularity in Berlin. Grell was extremely conservative in his compositions; his piece for male chorus perhaps matched what the Augsburg celebrations demanded, in contrast to Mendelssohn's extensive symphony, which may have been thought inappropriate at the time.
Mendelssohn resumed his touring immediately after he had completed the Reformation Symphony. In Paris, in 1832, François Antoine Habeneck's orchestra turned the work down as 'too learned'; the music historian Larry Todd suggests that perhaps they also felt it to be too Protestant. He did not offer the symphony for performance at London. During the summer of 1832, Mendelssohn returned to Berlin where he revised the symphony. Later that year a performance of the Reformation Symphony finally took place. By 1838 however Mendelssohn regarded the symphony as 'a piece of juvenilia', and he never performed it again. It was not performed again until 1868, more than 20 years after the composer's death.

1. Andante - Allegro con Fuoco 11:01
2. Allegro Vivace 5:31
3. Andante 3:14
4. Coral: Una firme fortaleza es nuestro Dios - Andante com moto - Allegro Vivace - Allegro Maestoso 8:36

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[noelwilde]

Did anyone orchestrate as good as this man? Everything he did was amazing.

[SebastianGramsz]

1. Andante - Allegro con Fuoco 0:00
2. Allegro Vivace 11:01
3. Andante 16:42
4. Coral: Una firme fortaleza es nuestro Dios - Andante com moto - Allegro Vivace - Allegro Maestoso 19:56

[TheGamingSyndrom]

I just was in Hamburg, Germany's biggets opera and concert house the Elphi and listend to an Orchestra of 55 musicians performing this, it was breathtaking.

[nannojonkers]

The finale, here seamlessly developing itself from that lovely 'andante', is one big prayer, in growing solid believe in the Redemption.

[CamSullyPiano]

I'm in love with this symphony. It has a place near my heart.

[AnirudhKumarisballerpeeps]

When you're listening to the Reformation while taking history textbook notes about the Reformation

[markfaris]

Pretty damn epic even though Mendelssohn wasn't pleased by it. Thankfully, we are most grateful to this genius who contributed so much in his short life

[melissayusaitis]

playing this piece in symphony orchestra, in a few months, its very difficult but fun to play, cant wait till the concert. (I am a second violin and yes both violin parts are equally as hard)

[augustocianfoni]

Meravigliosa composizione : vi si rinvengono echi di BACH, MOZART E BEETHOVEN...Pensare che M. l'ha composta a 21 anni ...una età in cui Egli aveva composto gran parte delle sue opere. Incredibile.

[josecesar]

Essa é, sem sombra de dúvida, a minha sinfonia predileta de Félix Mendelssohn. É a melhor que ele compôs. Seu andante é o movimento lento mais melancólico e divino que eu já escutei.

[thv]

Really great performance of fantastic music!!

[nannojonkers]

Von Karajan makes this wonderful, intimate-communicative, symphony into one flow of d, no, Deo-licious delicacies. Never heard it played so noble and loving. The orchestra in top-form. SDGl ! ...And: Soli Karajan Gloria.

[LTCopeland]

Which orchestra/conductor/year is this?

[fluterific]

I recognize a hymn in there, like they used it for that. A Mighty Fortress is our God.

[ExVeritateLibertas]

2:30 Doesn't this motif in the violins sound *exactly* like the overture to Parsifal? Yet Wagner had severe distain for Mendelssohn's music. Maybe not...

[RenoRamires]

Vim aqui porque meu amigo me me disse sobre o ultimo movimento

[Gisbertus_Voetius]

I have a question for the experts: there's a beautiful Motiv around 8.18 which I recognize from an "Parsifal". Why was Wagner using this motif in his opera?

[ethanselby]

Kinda cool to listen to, way not as cool to play.

[margatroidderek]

Is it the "reformation" as the anti-catholic movement or some different kind of "reformation"? It drives me nuts that I listen to this symphony and I don't know which reformation is it about.

[aalliiyy]

I love music clips that last 3 to 5 mins, but great music though