cookeopticstv

The cinematography of the Sopranos | Alik Sakharov

Newton Thomas Sigel answers your questions

How I Approach Lighting | Robert Yeoman

How to Shoot Documentaries || Mike Eley || Masterclass

Cinematography Advice From Our Mentors | Roundtable

Cinematography Tips: Don't complicate lighting - Geoff Boyle

Deconstructing a big budget commercial || Natasha Braier

My approach to lighting || Ben Smithard || Masterclass

Pixar Cinematographers Deconstruct Onward - Exclusive Behind the Scenes Video

The Cinematography of Black Panther || Rachel Morrison || Case Study

Working with Darren Aronofsky || Matthew Libatique

Cinematography preparation || Bradford Young

Filming during COVID with Ridley Scott | Dariusz Wolski

The Cinematography of Chernobyl || Case Study

Film vs Digital: The Big Debate || Spotlight

How & Why I choose lenses || Bradford Young || Spotlight

Deconstructing long take camera movement || Seamus McGarvey || Spotlight

Directors on cinematographers || Michael Apted || Spotlight

Don Burgess Deconstructs Forrest Gump

Cinematography: The Language of Colour || Vittorio Storaro

Researching the Film/Lighting References || Ben Smithard || Spotlight

The Craft of Film Editing || Paul Hirsch || Spotlight

Lighting Masterclass || Billy Williams || Masterclass

Cinematographers: What is your favourite light and why? || Spotlight

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