RMST202

RMST202: Romance Studies, Modernism to the Present. Trailer

Death with Interruptions: José Saramago on Necropolitics and Resurrection

Inventing Romance Studies

On Roberto Bolaño, Amulet

Behind the Scenes I: On Strong Misreadings

Norman Manea in Conversation

A World of Difference

The Trenchcoat: Norman Manea on Interpretation and Complicity

The Time of the Doves: Mercè Rodoreda on Destitution and Bricolage

Nadja: André Breton’s Flirtation with Madness

Faces in the Crowd: Valeria Luiselli’s Haunted Times and Places

On Romance Studies

Nada: Carmen Laforet on Narrative, Memory, and Trauma

Faces in the Crowd: Valeria Luiselli’s Haunted Times and Places

My Brilliant Friend: Elena Ferrante on Class, Capital, and Language

Paris Peasant: Louis Aragon on Everyday Time

The Hour of the Star: Clarice Lispector's Struggle with Writing and Ethics

Nadja: André Breton’s Flirtation with Madness

Deep Rivers: José María Arguedas on Conflict and Convergence Without End

Death with Interruptions: José Saramago on Necropolitics and Resurrection

A World of Difference

The Book of Chameleons: José Eduardo Agualusa on Duplicity, Tribute, and Revenge

The Lover: Marguerite Duras Returns to the Threshold

The Book of Chameleons: José Eduardo Agualusa on Duplicity, Tribute, and Revenge